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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.

Camille Paglia

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Camille Paglia
Age: 77
Born: 1947
Born: April 2
Art Historian
Essayist
Film Critic
Journalist
Literary Critic
Professor
Teacher
Writer
Endicott
New York
Camille Anna Paglia
Filled
Rhetoric
Film
Professors
Years
Despise
Academic
Pants
Aping
European
Blighted
Fancy
Jargon
Criticism
Phony

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The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.
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What has been forgotten is that there were major intellectual breakthroughs in the 1960s, thanks to North American writers of an older generation. There was a rupture in continuity, since most young people influenced by those breakthroughs did not enter the professions.
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Woman is the dominant sex. Men have to do all sorts of stuff to prove that they are worthy of woman's attention.
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My generation of bossy, confident, baby-boom women were something brand new in history. Our energy and assertiveness weren't created by Betty Friedan, unknown before her 1963 book, or by Gloria Steinem, whose political activism, as even the Lifetime profile admitted, did not begin until 1969.
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Heterosexual love,. is in sync with cosmic forces. Not everyone has the stomach for daily war with nature.
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We will never get great art from women if their education exposes them only to the second-rate and if the idea of greatness itself is denied. Greatness is not a white male trick. Every important world civilization has defined its artistic tradition in elitist terms of distinction and excellence.
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Lesbian feminists, for all their ideals of sisterhood and solidarity, can treat each other with a fickleness, a parasitic exploitativeness, and vicious spite that have to be seen to be believed.
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The capitalist distribution network, a complex chain of factory, transport, warehouse and retail outlet, is one of the greatest male accomplishments in the history of culture.
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Sappho and Emily Dickinson are the only woman geniuses in poetic history.
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Modernization means Westernization.
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Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.
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We should teach general ethics to both men and women, but sexual relationships themselves must not be policed. Sex, like the city streets, would be risk-free only in totalitarian regimes.
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Homosexuality is not 'normal' On the contrary it is a challenge to the norm...Nature exists whether academics like it or not. And in nature, procreation is the single relentless rule. That is the norm. Our sexual bodies were designed for reproduction...No one is born gay. The idea is ridiculous...homosexuality is an adaptation, not an inborn trait.
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Visionary idealism is a male art form. The lesbian aesthete does not exist. But if there were one, she would have learned from the perverse male mind.
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Madonna is the true feminist. She exposes the puritanism and suffocating ideology of American feminism, which is stuck in an adolescent whining mode. Madonna has taught young women to be fully female and sexual while still exercising control over their lives.
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Pregnancy demonstrates the deterministic character of woman's sexuality.
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Running to Mommy and Daddy on the campus grievance committee is unworthy of strong women.
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You have to accept the fact that part of the sizzle of sex comes from the danger of sex. You can be overpowered.
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Tranvestism is far more common among men, I noted, because it originates in the primary relation of mother and son.
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The born-yesterday French-besotted faddists, addicted sniffers of wet printer's ink, think they're starting on the ground floor so they're condemned to another hundred years of trial and error. The rest of us can safely ignore them.
Camille Paglia