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I despise the phony, fancy-pants rhetoric of professors aping jargon-filled European locutions - which have blighted academic film criticism for over 30 years.

Camille Paglia

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Camille Paglia
Age: 77
Born: 1947
Born: April 2
Art Historian
Essayist
Film Critic
Journalist
Literary Critic
Professor
Teacher
Writer
Endicott
New York
Camille Anna Paglia
Filled
Rhetoric
Film
Professors
Years
Despise
Academic
Pants
Aping
European
Blighted
Fancy
Jargon
Criticism
Phony

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The moral ambivalence of the great mother goddesses has been conveniently forgotten by those American feminists who have resurrected them. We cannot grasp nature's bare blade without shedding our own blood.
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The 1990s, after the reign of terror of academic vandalism, will be a decade of restoration: restoration of meaning, value, beauty, pleasure, and emotion to art and restoration of art to its audience.
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Academic Marxists, with their elitist sense of superiority to popular taste, are the biggest snobs in America.
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What feminism calls patriarchy is simply civilization , an abstract system designed by men but augmented and now co-owned by women.
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What is pretty in nature is confined to the thin skin of the globe upon which we huddle. Scratch that skin, and nature's daemonic ugliness will erupt.
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Madonna is the true feminist. She exposes the puritanism and suffocating ideology of American feminism, which is stuck in an adolescent whining mode. Madonna has taught young women to be fully female and sexual while still exercising control over their lives.
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Teenage boys, goaded by their surging hormones run in packs like the primal horde. They have only a brief season of exhilarating liberty between control by their mothers and control by their wives.
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Criticism at its best is re-creative, not spirit-killing.
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Feminism has exceeded its proper mission of seeking political equality for women and has ended by rejecting contingency, that is, human limitation by nature or fate.
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Feminism has become a catch-all vegetable drawer where bunches of clingy sob sisters can store their moldy neuroses.
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Modern bodybuilding is ritual, religion, sport, art, and science, awash in Western chemistry and mathematics. Defying nature, it surpasses it.
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Men, gay or straight, can get beauty and lewdness into one image. Women are forever softening, censoring, politicizing. ?
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Prostitution is not just a service industry, mopping up the overflow of male demand, which always exceeds female supply. Prostitution testifies to the amoral power struggle of sex, which religion has never been able to stop. Prostitutes, pornographers, and their patrons are marauders in the forest of archaic night.
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The only antidote to the magic of images is the magic of words.
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I believe that the shocking toll of AIDS on gay men in the West was partly due to their Seventies delusions that a world without women was possible. All-male energies, unbalanced and ravenous, literally tore the body apart.
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We need a new kind of feminism, one that stresses personal responsibility and is open to art and sex in all their dark, unconsoling mysteries. The feminist of the fin de si?cle will be bawdy, streetwise, and on-the-spot confrontational, in the prankish Sixties way.
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Music never dies. Do we really need another Madonna tour? Does she have to compete with women performers 25 years her junior?
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Eroticism is mystique that is, the aura of emotion and imagination around sex. It cannot be 'fixed' by codes of social or moral convenience, whether from the political left or right. For nature's fascism is greater than that of any society. There is a daemonic instability in sexual relations that we may have to accept.
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There is no female Mozart because there is no female Jack the Ripper.
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I cannot be convinced that great artists are moralists. Art is first appearances, then meaning.
Camille Paglia