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Sotomayor's vainglorious lecture bromide about herself as 'a wise Latina' trumping white men is a vulgar embarrassment - a vestige of the bad old days of male-bashing feminism.

Camille Paglia

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Camille Paglia
Age: 77
Born: 1947
Born: April 2
Art Historian
Essayist
Film Critic
Journalist
Literary Critic
Professor
Teacher
Writer
Endicott
New York
Camille Anna Paglia
Feminist
Bashing
Males
Latina
Wise
Lecture
Days
Embarrassment
White
Lectures
Men
Vulgar
Feminism
Vainglorious
Male
Vestige

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Men, gay or straight, can get beauty and lewdness into one image. Women are forever softening, censoring, politicizing. ?
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Every man harbors an inner female territory ruled by his mother, from whom he can never entirely break free.
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Men know they are sexual exiles. They wander the earth seeking satisfaction, craving and despising, never content. There is nothing in that anguished motion for women to envy.
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Anti-religious sneers are a hallmark of perpetual adolescents.
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Every revolution eventually needs a new revolution.
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For me, the Profumo affair symbolizes the evanescence of male government compared to women's cosmic power.
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My generation of the Sixties, with all our great ideals, destroyed liberalism, because of our excesses.
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[Sarah] Palin is solidifying her status as a bona fide American cultural heroine.
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Today, the ideal male is the gay man and the ideal female is the worker female, the woman who can work in a coal mine just like all the other men.
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Eroticism is mystique that is, the aura of emotion and imagination around sex. It cannot be 'fixed' by codes of social or moral convenience, whether from the political left or right. For nature's fascism is greater than that of any society. There is a daemonic instability in sexual relations that we may have to accept.
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Perhaps there is no greater issue facing contemporary women than the choices they must make about balancing home and work.
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Pursuit and seduction are the essence of sexuality. It's part of the sizzle.
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There is no true expertise in the humanities without knowing all of the humanities. Art is a vast, ancient interconnected web-work, a fabricated tradition. Over-concentration on any one point is a distortion.
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My advice to the reader approaching a poem is to make the mind still and blank. Let the poem speak. This charged quiet mimics the blank space ringing the printed poem, the nothing out of which something takes shape.
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We should teach general ethics to both men and women, but sexual relationships themselves must not be policed. Sex, like the city streets, would be risk-free only in totalitarian regimes.
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The plastic surgery issue is really looming because girls in the U.S. are getting it in their teens.
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The idea that emotion can be separated from sex is a Christian illusion, one of the most ingenious but finally unworkable strategies in Christianity's ancient campaign against pagan nature.
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The only antidote to the magic of images is the magic of words.
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Feminism has tried to dismiss the femme fatale as a misogynist libel, a hoary cliche. But the femme fatale expresses woman's ancient and eternal control of the sexual realm. The specter of the femme fatale stalks all of men's relationships with women.
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Feminism has exceeded its proper mission of seeking political equality for women and has ended by rejecting contingency, that is, human limitation by nature or fate.
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