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Daytime soap operas, which I used to adore, have been declining in quality and importance for over a decade, and I gradually stopped monitoring them.

Camille Paglia

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Camille Paglia
Age: 77
Born: 1947
Born: April 2
Art Historian
Essayist
Film Critic
Journalist
Literary Critic
Professor
Teacher
Writer
Endicott
New York
Camille Anna Paglia
Opera
Operas
Stopped
Declining
Decades
Monitoring
Importance
Daytime
Quality
Decade
Used
Soap
Gradually
Adore

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Old school feminism, coveting social power, is blind to woman's cosmic sexual power.
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Sex is the point of contact between man and nature, where morality and good intentions fall to primitive urges.
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Out with stereotypes, feminism proclaims. But stereotypes are the west's stunning sexual personae, the vehicles of art's assault against nature. The moment there is imagination, there is myth.
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The only thing that will be remembered about my enemies after they're dead is the nasty things I've said about them.
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My advice to the reader approaching a poem is to make the mind still and blank. Let the poem speak. This charged quiet mimics the blank space ringing the printed poem, the nothing out of which something takes shape.
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We should teach general ethics to both men and women, but sexual relationships themselves must not be policed. Sex, like the city streets, would be risk-free only in totalitarian regimes.
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It's so tiring to make love to women, it takes forever. I'm too lazy to be a lesbian.
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Western science is a product of the Apollonian mind: its hope is that by naming and classification, by the cold light of intellect, archaic night can be pushed back and defeated.
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This was a good example of the fascist policing of public discourse in this country by nominal liberals who have become as unthinkingly wedded to dogma as any junior member of the Spanish Inquisition.
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Manhood coerced into sensitivity is no manhood at all.
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Eroticism is mystique that is, the aura of emotion and imagination around sex. It cannot be 'fixed' by codes of social or moral convenience, whether from the political left or right. For nature's fascism is greater than that of any society. There is a daemonic instability in sexual relations that we may have to accept.
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I want young women when they're 14 to start thinking about what they want over the course of their lives. I think it's criminal - child abuse - that they're not told to do this [in school]. Right now it's just sex education and putting condoms on bananas. Girls should be asked to think about what they want in their lives when they're 50, 60 and 70.
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Women's studies needed a syllabus and so invented a canon overnight. It puffed up clunky, mundane contemporary women authors into Oz-like, skywriting dirigibles. Our best women students are being force-fed an appalling diet of cant, drivel and malarkey.
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There is a constant rush to judgment in Foucault. He is filled with specious generalizations, false categories, distortions, fudging, pretenses to knowledge in areas where he was ignorant. He had no ability whatsoever to distinguish among historical sources, where he makes terrible blunders.
Camille Paglia
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When anything goes, it's women who lose.
Camille Paglia
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If feminism has receded in visibility and prestige, it is precisely because its vision of life's goals and rewards has become too narrow and elitist.
Camille Paglia
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Pornography is human imagination in tense theatrical action its violations are a protest against the violations of our freedom by nature.
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If men are obsolete, then women will soon be extinct -- unless we rush down that ominous Brave New World path where women clone themselves by parthenogenesis, as famously do Komodo dragons, hammerhead sharks, and pit vipers.
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Considering the popularity of soaps with the African-American audience, it's grotesque that the entertainment industry, for all its vaunted liberalism, is lagging so far behind social changes in the United States. And why has there never been an all-black daytime network soap? It would probably blow the white soaps off the map.
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The reform of a college English department cuts no ice down at the corner garage.
Camille Paglia