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Picking projects, it's always director first and then script. Those two things are pretty much head-to-head.
Cameron Diaz
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Cameron Diaz
Age: 52
Born: 1972
Born: August 30
Actor
Actress
Artist
Executive Producer
Film Actor
Film Producer
Model
Non-Fiction Writer
Television Actor
Television Producer
Voice Actor
San Diego
California
Cameron Michelle Diaz
Two
Picking
Firsts
Script
First
Scripts
Much
Director
Always
Projects
Things
Directors
Pretty
Head
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I haven't been worried about my image so much as I have been trying to find projects to push myself further than before.
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I'm honestly so grateful to have a job when I get a job, I'm always amazed - I just appreciate what I have when I get it.
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I have always had the same New Year resolutions: To stop smoking, to start wearing a bra, and to stop shopping.
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I think women are afraid to say that they don't want children because they're going to get shunned. But I think that's changing too now. I have more girlfriends who don't have kids than those that do. And honestly? We don't need any more kids. We have plenty of people on this planet.
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Even if I loved the script, the director has to be right because it's all about the filmmaker. It's their vision. They're the ones that go back into the editing room and reassemble the film.
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I mean, I can get things done if I need to, but I can really be completely irresponsible and procrastinate until the very, very, very bitter end. In fact, sometimes I work better under pressure.
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My Latin roots are very strong. All my life, because I'm blonde and blue-eyed, people who aren't Hispanic can't believe I am. And people who are Hispanic always think I'm not, because I don't look like them. Being Latin is part of who I am and I bring that part to every role.
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I do feel like there's a spirit and a tone you can set that lets people know that they're appreciated for being there. It's a sense of spirit that I think every film should have.
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TMĀ® is helping you tap into something that's already inside of you - that's you in essence.
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I did all my heavy partying before I turned sixteen.
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Script for an actor is like a bible. You carry it with you, you read it over and over, you go to your passages.
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I love the feeling that you get when you can really laugh with a man and be natural and not always think that there's a sexual element going on. For me, flirting with a man means making fun of myself and trying to open myself and be very unpretentious.
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You have to really enjoy (being sexy). Not fake anything. Sexy is being in the moment, whether that means being coy or coming on hard. Faking is always lame and it never comes across the way you want it to.
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You have to really be able to trust the director. It's about the filmmaker and whether or not I'm going to be able to have a relationship with them and want to follow them down that road, wherever it may lead.
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The last couple of years were hell. Like, I can't even tell you, it was so hard. I didn't know how to handle it. But I think I'm in a much better place now, because I stepped away for a second and took a breath. Hollywood is a funny place. It offers so much, but it can also take a lot away from you.
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Oftentimes, in fact I think this is to my fault, I look at usually scripts as a whole. I should probably pay more attention to the character that I'm going to play and what they do.
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