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There are two singles I did with Noah Breakfast, [Talkin Greezy and New Phone (Who Dis),] which was a cool experience. So it's cool either way, I think. It depends on the relationship you have with the other person - not everybody is going to work the same way.

Cakes da killa

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I think what's keeping me making music - the money is great, but I make music for the visibility.
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I was doing my music because it was fun, and I always was like, If it becomes a business, or it becomes too demanding, or if people try to tell me what to do or control what I'm doing, I won't do it.
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I write a lot. I used to write a lot of poetry when I was younger, write for my school newspapers. Also reading is very important because you need to be on your word game if you want to be a lyricist.
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Every time someone asks me who I want to work with, my answer is always the same: whoever wants to work with me that won't want to get their ego stroked.
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I am a rapper. The reason why I was against the whole rapper title is because I know so many people who want to be rappers and they're not.
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I want to be respected as a writer and, like I said, I was really sick of people saying I was a two dimensional character. I want more to my legacy, I guess.
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It may look like things have gotten better, because everyone is semi-being appreciative. Not appreciative, but conscious of people being gender fluid and all those things.
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In the industry there's this whole mentality of working with someone who can open the door for you, but my whole thing is that I like my work to speak for itself. So I still do have that same mentality.
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I was just doing it for fun. I was in college recording music as a joke, so I really didn't think that a career was feasible - being able to travel.
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I'm a SoundCloud, online kind of artist. It's not like back in the day when everyone was like linking up physically to do music. But with the album, I did have my first experience with meeting with a producer and us making things from scratch.
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Now I'm in the business and I do have to have these awkward conversations about how I look, how I talk. But I'm still here.
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In this day and age of social media, where everything is so centred around how many Instagram and Twitter followers you have, what's keeping me afloat is the fact that my live performance is something that people can enjoy.
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