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When I work on a film, I always tend to relate to the crew.

Bryce Dallas Howard

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Bryce Dallas Howard
Age: 43
Born: 1981
Born: March 2
Actor
Film Actor
Film Actress
Film Director
Screenwriter
Stage Actor
Television Actor
LA
California
Relate
Tend
Film
Work
Always
Crew

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It was such a paradox for me that the only thing I know how to do is act, but that the first thing I abandoned while writing were the characters
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I saw an episode - the second episode [of Black Mirror], Fifteen Million Merits - and I completely flipped out: This is what my nightmares are made of. This is the most terrifying thing I've ever seen.
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I'll run through things over and over and over again in my head and think, How could I have done that better? Silly things like that.
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It's really about connecting to your own humanity and your own behaviors, and getting to a level of self-awareness so that you can have perspective and step outside of yourself and transform and become another person.
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I'm sure there's a range, but I think everyone can pretend.
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I feel like I almost didn't grow up in the business, because my parents worked so hard at sheltering us from that. I was raised in Connecticut. And I honestly wasn't aware that my dad was a celebrity until I moved to Los Angeles a year ago.
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Sometimes I think to myself, I wonder if Meryl Streep is ever like, 'Oh gosh, everyone thinks I'm so perfect! I wish that someone would give me a note.'
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The greatest sci-fis, in my mind, are two things: They're what-ifs - what if this happened, and you get to see it - but they're also these philosophical cautionary tales. They deal with the underlying themes beneath the what-if.
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The clearer that division [of social media] is between it not being a reflection of reality, and being a complete make-believe world, the more we're helping ourselves.
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You do your best [ on auditions] and sometimes you win 'em over and sometimes you don't.
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I've always had the perspective that roles come into my life when I need them most and sort of teach me lessons. The same can be true of films, films are released into society to aid in a lesson, inspire people, comfort people.
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For me, whether or not a film has some kind of massive budget or is an independent film, or however it's getting made, it's always about the filmmaker and, hopefully, being a vessel for the filmmaker's vision. That's what really attracts me to projects.
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Sometimes acting, particularly in film, can feel so contained. You need to be small and not overplay things, so it's such a relief to be able to go as far as you can go with an emotion or a feeling or a speech.
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I've never, ever, in my entire life, been upset at a casting choice.
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When people just become numbers, and we stop relating to each other as human beings. And we don't have the agency to make choices that can positively affect another human being. I was watching something yesterday where Justin Timberlake took a picture of himself voting, and he might get thirty days in jail because it's a new law or something.
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With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: No, Bryce is too nice. That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.
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In the culture we live in, there's this pervasive, shared agreement that there's a certain body type to admire, and it isn't actually based on anything real or substantive.
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Right now as an artist, what I want to do is be a part of works that are unignorable. I couldn't be less interested in how people receive it, honestly. As long as it's unignorable.
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When folks get to the best of their profession, people are like, Who am I to give a critique to this individual who's reached mastery?.
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