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When I work on a film, I always tend to relate to the crew.
Bryce Dallas Howard
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Bryce Dallas Howard
Age: 43
Born: 1981
Born: March 2
Actor
Film Actor
Film Actress
Film Director
Screenwriter
Stage Actor
Television Actor
LA
California
Tend
Film
Work
Always
Crew
Relate
More quotes by Bryce Dallas Howard
I'm sure there's a range, but I think everyone can pretend.
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Girls can do anything, for sure. Even running in the mud in heels.
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You do your best [ on auditions] and sometimes you win 'em over and sometimes you don't.
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When folks get to the best of their profession, people are like, Who am I to give a critique to this individual who's reached mastery?.
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When people just become numbers, and we stop relating to each other as human beings. And we don't have the agency to make choices that can positively affect another human being. I was watching something yesterday where Justin Timberlake took a picture of himself voting, and he might get thirty days in jail because it's a new law or something.
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I think my favourite memory from filming 'Jurassic World' would just be a compilation of me running through the jungle in heels, and just how absurd that really was. That that actually happened.
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The ability to play pretend is something that everyone has access to you see little kids doing it.
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I'm definitely not very insecure, but I have perfectionist tendencies, and I'll want things to be a certain way.
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Sometimes acting, particularly in film, can feel so contained. You need to be small and not overplay things, so it's such a relief to be able to go as far as you can go with an emotion or a feeling or a speech.
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I've always had the perspective that roles come into my life when I need them most and sort of teach me lessons. The same can be true of films, films are released into society to aid in a lesson, inspire people, comfort people.
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For me, whether or not a film has some kind of massive budget or is an independent film, or however it's getting made, it's always about the filmmaker and, hopefully, being a vessel for the filmmaker's vision. That's what really attracts me to projects.
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The greatest sci-fis, in my mind, are two things: They're what-ifs - what if this happened, and you get to see it - but they're also these philosophical cautionary tales. They deal with the underlying themes beneath the what-if.
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I have nothing nice to say about Chris Pratt, of course. He's probably the greatest hero of our time in real life, honestly.
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To be perfectly honest, Christ Pratt is one of the greatest human beings I've ever met in my entire life. He really is. Everything about him was my favourite thing. I also really love how tall he is, 'cuz I'm kind of a tall girl and often times when I'm doing a movie I need to slouch, but I could stand tall and proud next to Chris Pratt.
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Right now as an artist, what I want to do is be a part of works that are unignorable. I couldn't be less interested in how people receive it, honestly. As long as it's unignorable.
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It was such a paradox for me that the only thing I know how to do is act, but that the first thing I abandoned while writing were the characters
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With The Help, I knew folks involved in the project peripherally. I wanted to audition for Hilly Holbrook and part of the initial feedback was: No, Bryce is too nice. That's part of the reason why I really love auditions as well - you get to try out a character and try out different versions of a character.
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It's really about connecting to your own humanity and your own behaviors, and getting to a level of self-awareness so that you can have perspective and step outside of yourself and transform and become another person.
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I feel like I almost didn't grow up in the business, because my parents worked so hard at sheltering us from that. I was raised in Connecticut. And I honestly wasn't aware that my dad was a celebrity until I moved to Los Angeles a year ago.
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Sometimes I think to myself, I wonder if Meryl Streep is ever like, 'Oh gosh, everyone thinks I'm so perfect! I wish that someone would give me a note.'
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