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Actors basically are the type of person that with three seconds left, we want the ball. Give us the shot to make it or miss it. We'll take the lumps if we miss it, but we want the chance to get the glory.

Bryan Cranston

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Bryan Cranston
Age: 68
Born: 1956
Born: March 7
Actor
Executive Producer
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Director
Hollywood
California
Bryan Lee Cranston
Take
Type
Ball
Giving
Chance
Shot
Make
Actors
Basically
Left
Balls
Three
Miss
Give
Shots
Persons
Glory
Lumps
Person
Missing
Seconds

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When the sun is shining, make hay, because it would be sunset on my career at some point, and when it is, I want to be exhausted.
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Had Malcolm in the Middle been picked up I would not have been available for the pilot of Breaking Bad. And right now someone else would be sitting in this chair talking to you. Not me.
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Any kind of civil rights oppression is wrong.
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What's interesting is a man with no facial hair is less intimidating than a man with facial hair, and a man who is bald is more intimidating than a man with hair.
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Luck is a component that a lot of people in the arts sometimes fail to recognise: that you can have talent, perseverance, patience, but without luck you will not have a successful career.
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I don't wanna have anything left in the tank.
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I think if you believe in past lives, I must have been an extremely deprived being. I must have been mistreated, beaten, and forced into indentured servitude because this life has just been phenomenal.
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Every experience feeds an actor, and I've learned that depression is all around us.
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It's in our nature to be intrigued. We're putting the bread crumb not in your mouth but close to your mouth. You reach a little bit, and that's why it works.
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My passion is becoming involved in good work, whether that means as an actor or writer or director or producer or all - that is not as important to me.
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Pot always just made me sleepy.
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It's a familiar story now: a meek and depressed high school chemistry teacher with terminal cancer cooks up a scheme to make and market a superior grade of methamphetamine to provide a nest egg for his family after he's gone. But over the course of five seasons Walter White goes from milquetoast to murderous in order to survive.
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When you're directing an ongoing series, the tone has already been set. So a director will come in and fulfill that tone - reinforce the characters and their behavior. The challenge is to find unique ways that you can visually tell the story while keeping the established tone and the pace and the characters.
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Every time you start a project, you're hopeful that the critics receive it warmly.
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In fact, I told our dear friends, the Burrell boys, five boys lived next door to us. Why, we don't see your dad anymore? Oh, yeah. Yeah. He - I lied. I said, He comes home at night when you guys are in bed. He gets us up and we play. I said it so much that I started to believe it myself, you know?
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If you like vanilla, you're not going to like 'Breaking Bad' - you need to like a specific flavor that is unusual, that is different, that takes risks.
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Actors, writers, directors - that triumvirate of creativity - we have to rely and trust each other to be able to get to the final product.
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Given the right set of circumstances any one of us could become dangerous - so why not show that in our programmes?
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It used to be that people would watch TV shows because they knew the characters would stay the same. Whether it's Archie Bunker or it's Thomas Magnum you watch it because it's like, 'I'm comfortable, this is the same guy.'
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