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It's mind-altering when you slip into someone else's shoes. That's psychedelic, man.
Bryan Cranston
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Bryan Cranston
Age: 68
Born: 1956
Born: March 7
Actor
Executive Producer
Film Actor
Film Director
Film Producer
Screenwriter
Stage Actor
Television Actor
Television Director
Hollywood
California
Bryan Lee Cranston
Mind
Men
Altering
Psychedelic
Slip
Slips
Shoes
Else
Someone
More quotes by Bryan Cranston
Any kind of civil rights oppression is wrong.
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Given the right set of circumstances any one of us could become dangerous - so why not show that in our programmes?
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I want to be done, and actually, go I had a good run. No regrets. I'm ready to step aside.
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In fact, I told our dear friends, the Burrell boys, five boys lived next door to us. Why, we don't see your dad anymore? Oh, yeah. Yeah. He - I lied. I said, He comes home at night when you guys are in bed. He gets us up and we play. I said it so much that I started to believe it myself, you know?
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As a director you come in and tell the actors how good they are.
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I don't wanna have anything left in the tank.
Bryan Cranston
There's boldness in being assertive there's strength and confidence.
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Actors, writers, directors - that triumvirate of creativity - we have to rely and trust each other to be able to get to the final product.
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Had Malcolm in the Middle been picked up I would not have been available for the pilot of Breaking Bad. And right now someone else would be sitting in this chair talking to you. Not me.
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I don't think life owes me anything and the business doesn't owe me anything. The only way to approach it is by working hard and loving what you do. If you do that and have faith, maybe you will get lucky. I mean that sincerely and specifically. I truly believe that no professional career in the arts is capable without a healthy dose of luck.
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It's like a dance, to choreograph a fight is like a dance. It's very specific. You have to carefully plan it out. Because if someone gets hurt, then we didn't do our job, someone screwed up. The fight choreographers and the actors involved, we messed up somewhere.
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Every time you start a project, you're hopeful that the critics receive it warmly.
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There's this notion that in order to draw attention and to be considered for roles I want to be considered for, you need a certain amount of notoriety.
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When the sun is shining, make hay, because it would be sunset on my career at some point, and when it is, I want to be exhausted.
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I have a lovely family who supports me and it's great.
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With craziness, you can't predict it. There's very little defense you can have on craziness.
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Money has never been my primary goal.
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It's a familiar story now: a meek and depressed high school chemistry teacher with terminal cancer cooks up a scheme to make and market a superior grade of methamphetamine to provide a nest egg for his family after he's gone. But over the course of five seasons Walter White goes from milquetoast to murderous in order to survive.
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Let me demonstrate. When you greet a friend this is the duration of the kiss that's acceptable. Hi, good to see you - yeah. When you make a mistake and stay too long at the lips, this is how long it is. Hi, how are you? Good to see you. And that's what happened. It was like, Uh-oh, what was that? Oh.
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Good storytelling doesn't have to be in the form of the classics. It doesn't have to be revered by everybody. In fact, to me, the best storytelling is not universally loved by every single person. I think you can water down the ethicacy of the work, itself.
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