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I studied other singers, so I would learn how to phrase, and learn how to breathe. And the main thing was, I learned how to inhabit my song.
Bruce Springsteen
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Bruce Springsteen
Age: 75
Born: 1949
Born: September 23
Guitarist
Musician
Pianist
Record Producer
Recording Artist
Singer
Songwriter
Long Branch
New Jersey
Bruce Springsteen & The E Street Band
Bruce Frederick Joseph Springsteen
The Boss
Learn
Inhabit
Song
Phrase
Thing
Studied
Would
Phrases
Singers
Main
Breathe
Learned
More quotes by Bruce Springsteen
Walk tall, or baby don't walk at all.
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If you're good, you're always looking over your shoulder.
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You can't kill your way to security and you can't lead by scaring people.
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The songs themselves do broaden out as time passes and take on subtly different meanings, take on more meaning, I find.
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You get used to anything, sooner or later it just becomes your life.
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Yeah, I had gay friends. The first thing I realized was that everybody's different, and it becomes obvious that all of the gay stereotypes are ridiculous.
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An outgrowth of having a long career is that I have a lot of interesting things around that I get to revisit, and someday get to the place where they become something that I want to do next.
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Mister, I ain't a boy, no I'm a man, and i believe in a promised land.
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Blame it on the lies that killed us. Blame it on the truth that ran us down.
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Let's raise our glass and let the hammer fly, yeah, this is the long good-bye.
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She's a walkin', talkin' reason to live.
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Somewhere along the way, the idea, which I think was initially to get some fair transaction between people, went out the window. And what came in was, the most you can get and the least you can give. That's why cars are the way they are nowadays. It's just an erosion of all the things that were true and right about the original idea.
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You can hide beneath the covers and study your pain, make crosses from your lovers, throw roses in the rain. Waste your summer praying in vain, for a savior to rise from these streets.
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The one thing I wished for my children is that they'd be readers.
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You still had to find the music inside your language. You know, it was - that's a big part of what sort of moved me to begin writing the book. I wrote a little essay and I felt, yeah, this is a good voice. This is a good feeling. It feels like me.
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Sometimes I do an automatic songs, songs that you don't really think about, or work on. You just look back and it sorta surprises you.
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When I was very, very young, I decided that I was gonna catalogue my times because that's what other people who I admired did. That's what Bob Dylan did, that's what Frank Sinatra did, Hank Williams did, in very different ways.
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But it's a sad man my friend who's livin' in his own skin And can't stand the company. Every fool's got a reason to feelin' sorry for himself And turn his heart to stone. Tonight this fool's halfway to heaven and just a mile outta hell And I feel like I'm comin' home.
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Certainly tolerance and acceptance were at the forefront of my music.
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Most of these - most people's stage personas are created out of the flotsam and jetsam of their internal geography.
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