Quote

At night I wake up with my sheets soaking wet and a freight train running through the middle of my head.

Bruce Springsteen

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Bruce Springsteen
Age: 75
Born: 1949
Born: September 23
Guitarist
Musician
Pianist
Record Producer
Recording Artist
Singer
Songwriter
Long Branch
New Jersey
Bruce Springsteen & The E Street Band
Bruce Frederick Joseph Springsteen
The Boss
Wake
Train
Head
Middle
Freight
Running
Soaking
Night
Wet
Sheets
Insanity

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The moment you begin to depend on audience reaction, you're doing the wrong thing. You're doin' it wrong, it's a mistake, it's not right. You can't allow yourself, no matter what, to depend on them.
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The best music is essentially there to provide you something to face the world with.
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For me, President Obama is our best choice because he has a vision of the United States as a place where we are all in this together.
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The poets down here don't write nothin' at all, they just stand back and let it all be.
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I'm interested in what it means to be an American. I'm interested in what it means to live in America. I'm interested in the kind of country that we live in and leave our kids. I'm interested in trying to define what that country is.
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All you can do is show people...You tell stories that are true and compelling.
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I was looking for some way to put my music to some service on a nightly basis. You go into a town, you play a little music, you leave something behind. That idea connected us to the local community. It was a very simple idea, but it really resonated with me.
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I always wanted my music to influence the life you were living emotionally - with your family, your lover, your wife, and, at a certain point, with your children.
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I had tried to go to college, and I didn't really fit in. I went to a real narrow-minded school where people gave me a lot of trouble, and I was hounded off the campus - I just looked different and acted different, so I left school.
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I walked a thousand miles just to slip this skin.
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Just sitting back trying to recapture a little of the glory of... Well, the time slips away and leaves you with nothing, mister, but boring stories of Glory days - yeah, they'll pass you by, Glory days - in the wink of a young girl's eye.
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Somewhere along the way, the idea, which I think was initially to get some fair transaction between people, went out the window. And what came in was, the most you can get and the least you can give. That's why cars are the way they are nowadays. It's just an erosion of all the things that were true and right about the original idea.
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You still had to find the music inside your language. You know, it was - that's a big part of what sort of moved me to begin writing the book. I wrote a little essay and I felt, yeah, this is a good voice. This is a good feeling. It feels like me.
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For an adult, the world is constantly trying to clamp down on itself. Routine, responsibility, decay of institutions, corruption: this is all the world closing in.
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The music is pretty relentless. You've got to find some way of letting the audience breathe for a minute, give them a little bit of air - but not too much. Otherwise it would get real intense. The room would get very tense.
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You ask for your audience's investment in your music you're in a relationship with them. And their relationship with the E Street Band is separate from whatever else I might do. I like the idea of us being something that people rely on.
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She kissed me just right, like only a lonely angel can.
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