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I think I realized very early on that you can spend a lot of time constructing a really perfect scene in final draft and just end up throwing it away because you didn't figure out that mathematics of the story first.
Brit Marling
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Brit Marling
Age: 42
Born: 1982
Born: August 7
Actor
Executive Producer
Film Actor
Film Actress
Film Director
Film Producer
Screenwriter
Television Actor
Writer
Chicago
Illinois
Brit Heyworth Marling
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Constructing
Stories
Early
Draft
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Spend
Throwing
First
Scene
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Really
Story
Finals
Time
Perfect
Realized
Think
Away
Mathematics
Thinking
Didn
Figure
More quotes by Brit Marling
I feel like developing the muscle of my imagination became a way to survive reality.
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I think sometimes big budget means explosions! CGI! CGI, the possibilities are so limitless that it begins to be impractical.
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I believe in what science fiction can do, which is it can set up simple rules that it has to follow to try to illuminate something about the present that is somewhat invisible to us.
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I feel like success to me is about feeling like I have done something in storytelling, where I've gotten close to articulating something intangible that I'm feeling, and I think I get closer every time, but I don't know that I've done that yet.
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As an actor, you have an accumulated knowledge base. But there's also something about it that every time you really feel like you're doing it for the first time you have no idea whether you're capable of it.
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I'd studied theater growing up and loved that, but didn't have many examples of artists around me.
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Sometimes big budget means explosions! CGI! CGI, the possibilities are so limitless that it begins to be impractical. I'm more interested in the kinds of movies where the science fiction world has a set series of rules and you operate in it because of, maybe, constraints in the budget.
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It seems to be this hot-bed for these ideas and bringing these groups together. You find that the one thing that everybody has in common, whether they're a teenager who has run away from his parents, or a divorcee who lost her husband, is that they all have in common this feeling of searching for a meaning in their lives.
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The only thing that's important is that every day I'm waking and doing something that I really love to do.
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Once you play with these scenes and you're outlining it, again and again, and telling each other the narrative, and telling it to people you know, trying to make sure that the mathematics of the story work, you feel that those are in place, and the actual writing and final draft doesn't take as long.
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Life and death and birth is this fantastic mystery that we cannot fully grasp.
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I think what's so attractive about acting is that you get to live several lifetimes in one.
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Living in Cuba made me unafraid of whatever could happen to me.
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I feel like, when the audience connects with something, they enjoy the experience so much that they want other people to go have it. They're like, Don't talk about it. Don't tell. Just go! It's a nice feeling to have people coming around it that way, protecting the ideas in it, so that everyone can see it for themselves.
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That's the funny thing about cinema, it is an intellectual medium, but it's also sort of anti-intellectual.
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For some reason, I have a very strange conception of time. I am constantly hovering at some overview, more macro.
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I totally love my job, and I wake up every day basically thinking about how can I do my job better. It never feels like a job. It's hard, and it's exhausting sometimes, but it never feels like - I would do this even if they didn't pay me to do it. That's a pretty amazing feeling.
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One of my favorite stories growing up was 'A Wrinkle in Time'. I loved that book.
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There are so many filmmakers who are so talented, and actors and writers who work so hard, and it's really hard to let your work enter the world.
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The most intoxicating thing about being an actor is to surrender to a story that you never would have come up with.
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