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I think sometimes big budget means explosions! CGI! CGI, the possibilities are so limitless that it begins to be impractical.

Brit Marling

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Brit Marling
Age: 42
Born: 1982
Born: August 7
Actor
Executive Producer
Film Actor
Film Actress
Film Director
Film Producer
Screenwriter
Television Actor
Writer
Chicago
Illinois
Brit Heyworth Marling
Bigs
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Means
Explosions
Sometimes
Limitless
Mean
Budget
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Budgets
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More quotes by Brit Marling

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I think we're in this exciting moment of Internet streaming storytelling, and it's anybody's guess what that is or what it means. It can take on any form. That's what's so exciting about the time we're in these filmmakers are coming in and letting the story tell itself as it wants to be told.
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I think I realized very early on that you can spend a lot of time constructing a really perfect scene in final draft and just end up throwing it away because you didn't figure out that mathematics of the story first.
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I totally love my job, and I wake up every day basically thinking about how can I do my job better. It never feels like a job. It's hard, and it's exhausting sometimes, but it never feels like - I would do this even if they didn't pay me to do it. That's a pretty amazing feeling.
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It doesn't happen all the time, but in the moments where you really lose yourself and you fall into this character, it's like time travel.
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Then in college, besides economics, I also majored in studio art and got involved in photography and making short films and acting. But I didn't know you could make a living that way.
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Sometimes big budget means explosions! CGI! CGI, the possibilities are so limitless that it begins to be impractical. I'm more interested in the kinds of movies where the science fiction world has a set series of rules and you operate in it because of, maybe, constraints in the budget.
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I feel like success to me is about feeling like I have done something in storytelling, where I've gotten close to articulating something intangible that I'm feeling, and I think I get closer every time, but I don't know that I've done that yet.
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Living in Cuba made me unafraid of whatever could happen to me.
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Writing so that I can act became a way of having not more control over my future but not having to wait for permission. You can choose yourself. Hmm, who should play this part? I nominate me!
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I think there is a general unrest or curiosity about what a human future is going to be like, and whether the way we're living is even sustainable.
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The only thing that's important is that every day I'm waking and doing something that I really love to do.
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The more time you invest in something, potentially, the deeper the emotional impact of the climax. It's true of relationships, too.
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I think I am looking as an actor to find ways to push myself into places I haven't been before as a human being.
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I'm still a bit of a romantic and an idealist and hopelessly naive.
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I think one thing for sure that you learn the more films that you make is how important it is to choose your collaborators.
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I always feel like the editing room is like coming into the kitchen. What kind of a meal do you make from there? It can be anything.
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I feel like developing the muscle of my imagination became a way to survive reality.
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So at some point you realize that your life is not just going to start one day in the future, that you're living it.
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I'd studied theater growing up and loved that, but didn't have many examples of artists around me.
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For some reason, I have a very strange conception of time. I am constantly hovering at some overview, more macro.
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