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I think there is a general unrest or curiosity about what a human future is going to be like, and whether the way we're living is even sustainable.

Brit Marling

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Brit Marling
Age: 42
Born: 1982
Born: August 7
Actor
Executive Producer
Film Actor
Film Actress
Film Director
Film Producer
Screenwriter
Television Actor
Writer
Chicago
Illinois
Brit Heyworth Marling
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Curiosity
Way
General
Think
Whether
Thinking
Future
Like
Living
Human
Humans
Unrest
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Sustainable

More quotes by Brit Marling

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My brain doesn't work very well, in terms of mathematics. I'm not one of those people who can just spout off numbers for things, if numbers are thrown at me.
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Being a waitress can be a very brutal job sometimes, and I remember during the training, the person said to me, The redder the lips, the better the tips, and that was like the only advice she gave me.
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Nothing seemed as scary as waking up at 40 and realizing that I had not lived a very courageous life.
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I think we're in this exciting moment of Internet streaming storytelling, and it's anybody's guess what that is or what it means. It can take on any form. That's what's so exciting about the time we're in these filmmakers are coming in and letting the story tell itself as it wants to be told.
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The only thing that's important is that every day I'm waking and doing something that I really love to do.
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I totally love my job, and I wake up every day basically thinking about how can I do my job better. It never feels like a job. It's hard, and it's exhausting sometimes, but it never feels like - I would do this even if they didn't pay me to do it. That's a pretty amazing feeling.
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For some reason, I have a very strange conception of time. I am constantly hovering at some overview, more macro.
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I've found myself at one in the morning just sitting at my desk spending an hour returning emails from the day until like two in the morning. It's ridiculous, I should be sleeping, or dreaming, or reading a novel.
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When I was a kid and going to the movies I was overwhelmed by the way women were always second-class citizens in the film.
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The more time you invest in something, potentially, the deeper the emotional impact of the climax. It's true of relationships, too.
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I think the first thing I thought when I got out to L.A. was just: Oh, if I want to act, I have to find a different way to go about it because the parts for girls are as dispiriting as the banking jobs. You have to really be willing to invent, I guess, a different path for yourself.
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I feel like developing the muscle of my imagination became a way to survive reality.
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I think I realized very early on that you can spend a lot of time constructing a really perfect scene in final draft and just end up throwing it away because you didn't figure out that mathematics of the story first.
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I feel like success to me is about feeling like I have done something in storytelling, where I've gotten close to articulating something intangible that I'm feeling, and I think I get closer every time, but I don't know that I've done that yet.
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Sometimes big budget means explosions! CGI! CGI, the possibilities are so limitless that it begins to be impractical. I'm more interested in the kinds of movies where the science fiction world has a set series of rules and you operate in it because of, maybe, constraints in the budget.
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Then in college, besides economics, I also majored in studio art and got involved in photography and making short films and acting. But I didn't know you could make a living that way.
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As an actor, you have an accumulated knowledge base. But there's also something about it that every time you really feel like you're doing it for the first time you have no idea whether you're capable of it.
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I feel like, when the audience connects with something, they enjoy the experience so much that they want other people to go have it. They're like, Don't talk about it. Don't tell. Just go! It's a nice feeling to have people coming around it that way, protecting the ideas in it, so that everyone can see it for themselves.
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I think one thing for sure that you learn the more films that you make is how important it is to choose your collaborators.
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So writing became a way to get to act in things that I thought were meaningful, and hopefully write stronger roles for other women.
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