The thriller is the cardinal twentieth-century form. All it, like the twentieth century, wants to know is: Who's Guilty?

By the age of three ... I was already an addicted reader. I still crave daily immersion in experience other than my own (it needn't be more pleasant, exciting or illuminating -- merely other) and I still fall into books as though into catalepsy.

The fact that there are bigger injustices and wrongs doesn't make it right to sacrifice an innocent monkey. It doesn't alter the case at all.

Sentimentalist is the abuse with which people counter the accusation that they are cruel, thereby implying that to be sentimental is worse that to be cruel, which it isn't.

I refuse absolutely to consign the whole male sex to the nursery. ... I obdurately insist on believing that some men are my equals.

I don't myself believe that, even when we fulfil our minimum obligation not to cause pain, we have the right to kill animals.

We Irish had the right word on the tip of our tongue, but the imperialist got at that. What should trip off it we trip over.

In a sense, the first (if not necessarily the prime) function of a novelist, of ANY artist, is to entertain. If the poem, painting, play or novel does not immediately engage one's surface interest then it has failed. Whatever else it may or may not be, art is also entertainment. Bad art fails to entertain. Good art does something in addition.

To us it seems incredible that the Greek philosophers should have scanned so deeply into right and wrong and yet never noticed the immorality of slavery. Perhaps 3000 years from now it will seem equally incredible that we do not notice the immorality of our own oppression of animals.