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The jazz chord substitutions in a country song... that was another thing that bent people's ears. I guess that my favorites are the unique ones. It's not how fast you play. It's that unique blending of different stuff I'm most proud of.

Brian Setzer

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Brian Setzer
Age: 65
Born: 1959
Born: April 10
Bandleader
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Jazz Musician
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It's not about how loud you turn the amp up. That's not what makes it sound big. What makes it sound big is fooling around with different delays and reverb settings.
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I didn't want to take the guitar solos down note-for-note, but more or less use them as a map, and keep all the hooks from the guitar playing, and let myself come through.
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To keep creating something with this type of music, you have to take it out of the box.
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Elvis Presleys' first album had more energy and more enthusiam than any other album at the time - when it was released it just blew everything else out. It changed the whole landscape of music
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... so much of what we do now started in 1954 at Sun Records in Memphis Tennessee ... those guys were inventing that stuff (Rock & Roll) ... you can really tell on some tracks ... they were actually afraid at times of what they were playing. But Rock & Roll definitely didn't come before that time it started right there
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Rock & Roll is the physical thing that just comes out of you .. the other stuff you have to sit down and learn .. once you learn scales and chord progressions, you can make up your own versions
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I can't tell you how many people have asked me to show them Stray Cat Strut and that little diminished run on the C. I guess my brain is wired backwards. I don't know what possessed me to do that, but I did.
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I thought it would be cool to take flat-picking and put it in overdrive. I thought it would bend the ear.
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Mark Winchester has left the band. He's decided that he's tired of the road and just wants to concentrate on his career in Nashville. I don't blame him at all. He'll certainly be missed.
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I basically sat down for a month, with all the Sun stuff I could find and just picked out my favorites. I didn't think that they were indicative of '54 to '57, although I tried to stay within that period.
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It's really funny, I think to myself... I've got my same guitar and amp, it's just a bigger room now! Some things don't change.
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As a genre, rockabilly's post-Elvis profile has seldom been lower in the United States. Many labels that produced fresh bass-slappin' sides during the '90's are now out of business.
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People out there maybe know who Junior Parker is and some of those Sun Records blues guys.
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I put a metronome up to all the songs, and I tried to really keep it true to the original tempos.
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McCartney! Haven't met him and haven't played with him. I would LOVE to. He needs to make a kick-ass rockabilly record.
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My D'Angelico is a jazz archtop guitar. That guitar was made for Glenn Miller's guitar player in 1939. It's a '39 D'Angelico New Yorker.
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I wanted to go back to Sun. Unfortunately, most of the gear is gone from Sun. The way I take it now, it's almost like a tourist destination. So, it would have been pretty difficult to have brought all the gear into Sun to make it like it was in the '50's.
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The songwriting has never really stepped forward from the '50's.
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If you listen to everybody's opinions, I mean, I always say I'd be digging a ditch on the side of the road now if I had listened to what everybody told me what to do. You know, you have to follow your heart, you have to.
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Normally, you go into the recording studio, make a record and then take it on the road and you think... wow... I could have done THIS to it, or something.
Brian Setzer