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The biggest inspiration for everything I do is, of course, my wife, playwright Ruth McKee.

Brian K. Vaughan

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Brian K. Vaughan
Age: 48
Born: 1976
Born: July 17
Comics Writer
Screenwriter
Television Producer
Writer
Cleveland
Ohio
Courses
Course
Everything
Ruth
Playwright
Biggest
Inspiration
Wife

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Immigration confuses and terrifies me, so why not try to write a comic and make some sense of it?
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When a man carries an instrument of violence, he'll always find the justification to use it.
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My parents grew up during the space race, and I think they imagined the future would be us living on moon bases and everyone has rocket shoes.
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The appealing thing about comics: There literally is no budget in comics. You're only limited by your imagination.
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All writing is the same: It's just making up lies until it starts to sound like the truth. That's what I do.
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Each collected edition of Paper Girls that we put out will largely be set in an entirely different era.
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Because it's in and about New York City, I knew 'Ex Machina' was going to have to continually mix the mundane and the fantastic.
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Fantasy/science-fiction stories have been around almost as long as each genre, but every hybrid now lives in the shadow of 'Star Wars.'
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I've written about teenage heroes before, on Marvel's Runaways, and I remember at the time when I pitched it, it was a team that had more female members than males. Even that caused of much discussion about, Will there be a market for this, and should there at least be equal number of male and females?
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We're always looking roughly 30 years behind us. In the '80s they were obsessed with the '50s and so on.
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Violence is stupid. Even as a last resort, it only ever begets more of the same.
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In film, you have the luxury of accomplishing what you need in 24 frames every second. Comics, you only have five or six panels a page to do that.
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But nothing warps time quite like childhood
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I love that the book [Paper Girls ] gets to kind of evolve and change in each era. Our third storyline is our best so far.
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I am a big theater fan. It's mostly just being pretentious, I think, and trying to look smart.
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I've always thought of fantasy as a genre of best-case scenarios, and horror as a genre of worst-case scenarios.
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I have no imagination I just steal from life and change the color. Then it's a comic book.
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There's just something about that late '80s that suddenly feels like it has something to teach us.
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I think some people are just very passionate that things remain the way they were when they were kids.
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