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And it should be something that only that group of people could've made with everybody invested.
Brian Henson
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Brian Henson
Age: 61
Born: 1963
Born: November 3
Actor
Film Director
Film Producer
Puppeteer
Screenwriter
Television Director
Television Producer
New York City
New York
Brian David Henson
People
Invested
Group
Groups
Everybody
Made
Something
More quotes by Brian Henson
This is certainly the raunchiest, if you use that word, raunchy. The roots of Jim Henson, though, was adult comedy.
Brian Henson
And then after the success at Melbourne Comedy Festival, then we regrouped back in LA and we went back into workshopping and decided to develop a proper show and that's when we started working on Stuffed and Unstrung, which is a much bigger and sharper version of Puppet Up.
Brian Henson
We kind of lost a lot of that and puppeteers were sticking to the script and we thought everything needed to get a lot funnier, so we thought we would go to a good improv comedy instructor.
Brian Henson
We wanted to premiere it in New York, because New York is sort of the home of the Jim Henson Company and it's sort of the tone and flavor, always, of the puppet work that we've done traditionally. And that's what brought us here and now we're here.
Brian Henson
I think in a creative effort, in any creative effort, you need to, people need to be able to be taking risks and if it turns out to be a mistake, if it turns out not to have been the right choice, that should be applauded, you know, by everybody, and it will come up with another plan.
Brian Henson
Really, initially what I very quickly realized that I was loving about the show was, because it reminded me of when I was a kid and I would visit the sets where my dad was shooting with the other puppeteers.
Brian Henson
In many ways, I think it's easier in some ways, or it's more entertaining or more guaranteed to be entertaining than traditional improvising. Again, because you're not just you in your body.
Brian Henson
And one of the funnest things was watching what they did before the director called action and after the director called cut. And they'd keep their hands in the puppets, they'd stay in character, and then they'd start goofing around with each other and be off of script, and it would get quite blue.
Brian Henson
The challenge is, well, there's a huge challenge, which is when you're improvising, you're meant to sort of clear your mind completely, just be open and funny, and paying, you know, paying attention.
Brian Henson
First of all, you're improvising through a puppet, so you're not always yourself: you're a cow or you're a pig or you're an old woman, you know, whatever puppet you pick, or you're a demon, you know, whatever you pick up, that's what you get to be in the scene.
Brian Henson
We took a show to the Aspen Comedy Festival, called Puppet Up at that point, and in Aspen we just did three shows, and in Aspen, there was a producer from the Edinborough Fringe Festival, who said, Please come to Edinborough.
Brian Henson
I was already sort of mixing my science physics enthusiasm with entertainment and directing and puppetry.
Brian Henson
The first big thing that I did with my dad was the bicycle sequence in The Great Muppet Caper, where Kermit and Piggy are riding bicycles in Battersea Park in London and that was a complex marionetting and cranes driving through the park, it was a complicated scene, and I did that with my dad.
Brian Henson
Patrick thought we should try to put an audience in front of one of the workshops, basically in front of the class and see how the performers rose to having an audience there, because he said, You know, it's a really interesting test, because sometimes it gets even funnier.
Brian Henson
And then while she's lip-syncing, I've Grown Accustomed To Your Face, to this little head next to her, the head eats the cloth fabric and swallows it and it's sort of this weird, demonic character there, who then tries to eat the singer. But it's a lot of fun. So there's a couple of pieces like that.
Brian Henson
In the show, we have recreated two sketches that my dad had, or pieces that my dad had developed. One that he had developed with my mother, one that Frank Oz had developed with my dad. And these are old pieces from the '50's and '60's, and we're going to develop more, too.
Brian Henson
We're also irreverent, we have an irreverent attitude towards puppets, as well. So a lot of what we do is we're kind of making fun of the puppets for being puppets, even while we're doing it. And again, that all feeds into the absurdity of this show.
Brian Henson
You get used to it, you look forward to the adrenaline of the stage fright before you go out.
Brian Henson
We are deeply saddened to hear about the passing of Jonathan Hardy. The clever wit and joy he brought to his performance of Rygel was a true gift to the world of Farscape. My sincerest condolences go out to Jonathan's family and to his many fans around the world.
Brian Henson
I try to emulate his approach of really get the most out of people by allowing them to experiment and certainly allowing people to make mistakes.
Brian Henson