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It's really great to do one piece, I've Grown Accustomed To Your Face, my dad developed in 1956, when he was 20 years old, and it's great to do that piece again now and see that it still really works as well as it ever did.
Brian Henson
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Brian Henson
Age: 61
Born: 1963
Born: November 3
Actor
Film Director
Film Producer
Puppeteer
Screenwriter
Television Director
Television Producer
New York City
New York
Brian David Henson
Really
Faces
Accustomed
Stills
Developed
Still
Grown
Ever
Dad
Wells
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Well
Works
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Pieces
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Face
More quotes by Brian Henson
So that's the challenge, you have a big technical aspect of what you're doing whilst you're creatively trying to improvise.
Brian Henson
And then while she's lip-syncing, I've Grown Accustomed To Your Face, to this little head next to her, the head eats the cloth fabric and swallows it and it's sort of this weird, demonic character there, who then tries to eat the singer. But it's a lot of fun. So there's a couple of pieces like that.
Brian Henson
I was already sort of mixing my science physics enthusiasm with entertainment and directing and puppetry.
Brian Henson
And that was always my father's favorite part about shooting as well. Often my dad would shoot very, very late, he was quite a workaholic, they would do 20, 20-hour shoots and stuff like that.
Brian Henson
And my dad's answer would be usually something to the affect of, A, it came out better than he imagined, but also, he said, No, it would be impossible for me to imagine the way it will come out. He said, Yes, I story-boarded it, I had a plan, but then I work with an army of great artists and I want all of them to create inside that creation.
Brian Henson
Oh, well, I can't tell you it would be telling you the end. It's a one-character lip-syncing because in the early days, that's what my dad was doing.
Brian Henson
But initially when I was working with my dad, it was in special effects puppets with radio control and motors and puppet effects.
Brian Henson
he puppeteers really responded to it. Patrick Bistrow really responded to it, it's great fun to do improve comedy with puppets.
Brian Henson
We wanted to premiere it in New York, because New York is sort of the home of the Jim Henson Company and it's sort of the tone and flavor, always, of the puppet work that we've done traditionally. And that's what brought us here and now we're here.
Brian Henson
In the show, we have recreated two sketches that my dad had, or pieces that my dad had developed. One that he had developed with my mother, one that Frank Oz had developed with my dad. And these are old pieces from the '50's and '60's, and we're going to develop more, too.
Brian Henson
I try to emulate his approach of really get the most out of people by allowing them to experiment and certainly allowing people to make mistakes.
Brian Henson
People would say to him, When you finish a movie, did it come out as good as you thought it was going to? Or, Did it come out the way you intended it to come out?
Brian Henson
At that point, I thought probably special effects, something like that, and indeed, the early days when I was working with my dad, after I left school, I only went to less than one year of college, and then I was transferring, and then I delayed my transfer, and I did a movie, and then another movie, and then I never finished college.
Brian Henson
The first show that my dad and my mom did together was for, was a comedy series, a short form that went in the middle of late-night news, and then through all of their career, it was always the Ed Sullivan Show, it was a variety act, my dad was on the Jimmy Dean Show for a few years.
Brian Henson
You get used to it, you look forward to the adrenaline of the stage fright before you go out.
Brian Henson
First of all, you're improvising through a puppet, so you're not always yourself: you're a cow or you're a pig or you're an old woman, you know, whatever puppet you pick, or you're a demon, you know, whatever you pick up, that's what you get to be in the scene.
Brian Henson
I think in a creative effort, in any creative effort, you need to, people need to be able to be taking risks and if it turns out to be a mistake, if it turns out not to have been the right choice, that should be applauded, you know, by everybody, and it will come up with another plan.
Brian Henson
And one of the funnest things was watching what they did before the director called action and after the director called cut. And they'd keep their hands in the puppets, they'd stay in character, and then they'd start goofing around with each other and be off of script, and it would get quite blue.
Brian Henson
Really, initially what I very quickly realized that I was loving about the show was, because it reminded me of when I was a kid and I would visit the sets where my dad was shooting with the other puppeteers.
Brian Henson
We kind of lost a lot of that and puppeteers were sticking to the script and we thought everything needed to get a lot funnier, so we thought we would go to a good improv comedy instructor.
Brian Henson
