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It's actually good when the performers are nervous, because it kind of sharpens up your brain and a little bit of adrenaline is good. Initially it's really tough.
Brian Henson
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Brian Henson
Age: 61
Born: 1963
Born: November 3
Actor
Film Director
Film Producer
Puppeteer
Screenwriter
Television Director
Television Producer
New York City
New York
Brian David Henson
Really
Nervous
Good
Tough
Bits
Brain
Actually
Sharpens
Littles
Initially
Little
Adrenaline
Kind
Performers
More quotes by Brian Henson
But curriculum-wise, I was drawn to the sciences and specifically to physics, and I really enjoyed it and I think for a little while there, I was really thinking my schooling would be in physics, that that was something I loved.
Brian Henson
And it should be something that only that group of people could've made with everybody invested.
Brian Henson
Oh, well, I can't tell you it would be telling you the end. It's a one-character lip-syncing because in the early days, that's what my dad was doing.
Brian Henson
This is certainly the raunchiest, if you use that word, raunchy. The roots of Jim Henson, though, was adult comedy.
Brian Henson
he puppeteers really responded to it. Patrick Bistrow really responded to it, it's great fun to do improve comedy with puppets.
Brian Henson
The first big thing that I did with my dad was the bicycle sequence in The Great Muppet Caper, where Kermit and Piggy are riding bicycles in Battersea Park in London and that was a complex marionetting and cranes driving through the park, it was a complicated scene, and I did that with my dad.
Brian Henson
We kind of lost a lot of that and puppeteers were sticking to the script and we thought everything needed to get a lot funnier, so we thought we would go to a good improv comedy instructor.
Brian Henson
And one of the funnest things was watching what they did before the director called action and after the director called cut. And they'd keep their hands in the puppets, they'd stay in character, and then they'd start goofing around with each other and be off of script, and it would get quite blue.
Brian Henson
And my dad's answer would be usually something to the affect of, A, it came out better than he imagined, but also, he said, No, it would be impossible for me to imagine the way it will come out. He said, Yes, I story-boarded it, I had a plan, but then I work with an army of great artists and I want all of them to create inside that creation.
Brian Henson
I think in a creative effort, in any creative effort, you need to, people need to be able to be taking risks and if it turns out to be a mistake, if it turns out not to have been the right choice, that should be applauded, you know, by everybody, and it will come up with another plan.
Brian Henson
At that point, I thought probably special effects, something like that, and indeed, the early days when I was working with my dad, after I left school, I only went to less than one year of college, and then I was transferring, and then I delayed my transfer, and I did a movie, and then another movie, and then I never finished college.
Brian Henson
You get used to it, you look forward to the adrenaline of the stage fright before you go out.
Brian Henson
So while you're trying to improvise, you're also trying to puppeteer, you're doing everything that you need to do to perform a puppet in our style, for a camera.
Brian Henson
Patrick thought we should try to put an audience in front of one of the workshops, basically in front of the class and see how the performers rose to having an audience there, because he said, You know, it's a really interesting test, because sometimes it gets even funnier.
Brian Henson
We try to keep it a classy show, but it certainly is blue at times. And it all depends on the audience, sometimes we've have audiences that don't really want us to go too far in that direction.
Brian Henson
And that was always my father's favorite part about shooting as well. Often my dad would shoot very, very late, he was quite a workaholic, they would do 20, 20-hour shoots and stuff like that.
Brian Henson
In the show, we have recreated two sketches that my dad had, or pieces that my dad had developed. One that he had developed with my mother, one that Frank Oz had developed with my dad. And these are old pieces from the '50's and '60's, and we're going to develop more, too.
Brian Henson
It was actually what my dad did and with the Muppets, the years with the Muppets, it was really all targeted to adults. It was in a time when everything had to be safe for the whole family. But he was targeting adults.
Brian Henson
I was already sort of mixing my science physics enthusiasm with entertainment and directing and puppetry.
Brian Henson
And then after the success at Melbourne Comedy Festival, then we regrouped back in LA and we went back into workshopping and decided to develop a proper show and that's when we started working on Stuffed and Unstrung, which is a much bigger and sharper version of Puppet Up.
Brian Henson
