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For most people, the major hurdle in grasping modern insights into the nature of the universe is that these developments are usually phrased using mathematics.

Brian Greene

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Brian Greene
Age: 61
Born: 1963
Born: February 9
Actor
Author
Physicist
Professor
Theoretical Physicist
Writer
New York City
New York
Brian Randolph Greene
Development
Insights
Modern
Grasping
Universe
Insight
Nature
Majors
People
Major
Mathematics
Phrased
Using
Developments
Usually
Hurdle

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I believe we owe our young an education that captures the exhilarating drama of science.
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But, as Einstein once said, “For we convinced physicists, the distinction between past, present, and future is only an illusion, however persistent.”5
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When you know the answer you want, it is often all too easy to figure out a way of getting it.
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In essence, we string theorists have been trying to work out the score of the universe, the harmonies of the universe, the mathematical vibrations that the strings would play. So musical metaphors have been with us in science since the beginning.
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I believe that through its rational evaluation of truth and indifference to personal belief, science transcends religious and political divisions and so does bind us into a greater, more resilient whole.
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Gravity is matter’s sugar daddy.
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In my own research when I'm working with equations, I never feel like I really understand what I'm doing if I'm solely relying on the mathematics for my understanding. I need to have a visual picture in my mind. I'm constantly translating from the math to some intuitive mind's-eye picture.
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Quantum Mechanics is different. Its weirdness is evident without comparison. It is harder to train your mind to have quantum mechanical tuition, because quantum mechanics shatters our own personal, individual conception of reality
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I'd say many features of string theory don't mesh with what we observe in everyday life.
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The bottom line is that time travel is allowed by the laws of physics.
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My best teachers were not the ones who knew all the answers, but those who were deeply excited by questions they couldn't answer.
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Over the centuries, monumental upheavals in science have emerged time and again from following the leads set out by mathematics.
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Art makes us human, music makes us human, and I deeply feel that science makes us human.
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I think it's too fast to say that all sci-fi ultimately winds up having some place in science. On the other hand, imaginative minds working outside of science as storytellers certainly have come upon ideas that, with the passing decades, have either materialized of come close to materializing.
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Oftentimes, if you're talking to a seasoned interviewer who asks you a question, they may do a follow-up if they didn't quite get it. It's rare that they'll do a third or fourth or fifth or sixth follow-up, because there's an implicit, agreed-upon decorum that they move on. Kids don't necessarily move on if they don't get it.
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Black holes, we all know, are these regions where if an object falls in, it can't get out, but the puzzle that many struggled with over the decades is, what happens to the information that an object contains when it falls into a black hole. Is it simply lost?
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The pinpoints of starlight we see with the naked eye are photons that have been streaming toward us for a few years or a few thousand.
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There may be many Big Bangs that happened at various and far-flung locations, each creating its own swelling, spatial expanse, each creating a universe - our universe being the result of only one of those Big Bangs.
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If string theory is right, the microscopic fabric of our universe is a richly intertwined multidimensional labyrinth within which the strings of the universe endlessly twist and vibrate, rhythmically beating out the laws of the cosmos.
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The main challenge that television presents is that I have a tendency to say things with a great deal of precision and accuracy. Often a description of that sort, which will work in a book because people can read it slowly - they can turn the pages back and so on - doesn't really work on TV because it interrupts the flow of the moving image.
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