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I think we're about ready for a new feeling to enter music. I think that will come from the Arabic world.
Brian Eno
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Brian Eno
Age: 76
Born: 1948
Born: May 15
Composer
Musician
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Writer
Borough of Melton
Eno
Brian Peter George Eno
Brian Peter George St John le Baptiste de la Salle Eno
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More quotes by Brian Eno
Perhaps when music has been shouting for so long, a quieter voice seems attractive.
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Culture is everything you don't have to do.
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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When you make something you are always offering some choices and denying others.
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I'm very opinionated.
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I suppose I am reluctant about being any sort of 'star' and I didn't particularly want to be portrayed as one.
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At the party, Rob Partridge said to me, You gave hope to other balding men. My new epitaph: Co-wrote a couple of decent songs and went bald shamelessly.
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For the world to be interesting, you have to be manipulating it all the time.
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I think the idea that people walk around to music is very interesting. They are actually creating the soundtrack to their lives as they walk around to it.
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I'm always interested in something when it isn't familiar to me.
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If something is good, you must torture it mercilessly until it is either dead or great.
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When you sing with a group of people, you learn how to subsume yourself into a group consciousness because a capella singing is all about the immersion of the self into the community. That's one of the great feelings - to stop being me for a little while and to become us. That way lies empathy, the great social virtue.
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If you're in a forest, the quality of the echo is very strange because echoes back off so many surfaces of all those trees that you get this strange, itchy ricochet effect.
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It must be quite mysterious to some people why I bother to carry on. Because, you know, I don't sell that many records.
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Since I have always preferred making plans to executing them, I have gravitated towards situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend towards the roles of planner and programmer, and then become an audience to the results
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I'm not interested in possible complexities. I regard song structure as a graph paper.
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If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
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People who are very confident in themselves aren't hurt by criticism. They make use of it.
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I think most artists would be happy to have bigger audiences rather than smaller ones. It doesn't mean that they are going to change their work in order necessarily to get it, but they're happy if they do get it.
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I'm fascinated by musicians who don't completely understand their territory that's when you do your best work.
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