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I occasionally meet people and they say, 'Oh, I was born to Discreet Music'... They always have very weird eyes, those people.

Brian Eno

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Brian Eno
Age: 76
Born: 1948
Born: May 15
Composer
Musician
Painter
Photographer
Record Producer
Singer
Songwriter
Writer
Borough of Melton
Eno
Brian Peter George Eno
Brian Peter George St John le Baptiste de la Salle Eno
Weird
Meet
Eyes
Eye
Born
Music
Always
Discreet
People
Occasionally

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I can see the use and value of religion, just as I can see the use of mud wrestling, yoga, astronomy and sadomasochism. but I reject the idea that you can't be a deep human being without it or any of them.
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Listening to something is an act of surrender.
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I have a definite talent for convincing people to try something new. I am a good salesman. When I'm on form, I can sell anything.
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Some people are very good at being 'stars' and it suits them. I'm grudging about it and I find it annoying.
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The problem with improvisation is, of course, that everyone just slips into their comfort zone and does sort of the easy thing to do, the most obvious thing to do with your instrument.
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I've never used a PC in my life I don't like them.
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Rationality is what we do to organize the world, to make it possible to predict. Art is the rehearsal for the inapplicability and failure of that process.
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I enjoy working with complicated equipment. A lot of my things started just with a rhythm box, but I feed it through so many things that what comes out sounds very complex and rich.
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The philosophical idea that there are no more distances, that we are all just one world, that we are all brothers, is such a drag! I like differences.
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Not many people bought Velvet Underground LPs, but those who did, started a band.
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I'm bloody awful at multi-tasking.
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Admirers can be a tremendous force for conservatism.
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I love San Francisco and Brighton has something of San Francisco about it. It's by the sea, there's a big gay community, a feeling of people being there because they enjoy their life there.
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Attention is what creates value. Artworks are made as well by how people interact with them - and therefore by what quality of interaction they can inspire.
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I set up situations that involve abandoning control and finding out what happens.
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I think most artists would be happy to have bigger audiences rather than smaller ones. It doesn't mean that they are going to change their work in order necessarily to get it, but they're happy if they do get it.
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One of the things you're doing when you make art, apart from entertaining yourself and other people, is trying to see what ways of working feel good, what feels right.
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For the world to be interesting, you have to be manipulating it all the time.
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I often work by avoidance.
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Human development thus far has been fueled and guided by the feeling that things could be, and are probably going to be, better.
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