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American television really is pathetic.
Brian Eno
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Brian Eno
Age: 76
Born: 1948
Born: May 15
Composer
Musician
Painter
Photographer
Record Producer
Singer
Songwriter
Writer
Borough of Melton
Eno
Brian Peter George Eno
Brian Peter George St John le Baptiste de la Salle Eno
Television
American
Really
Pathetic
More quotes by Brian Eno
If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
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Honor thy error as a hidden intention.
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Lyrics are always misleading because they make people think that that's what the music is about.
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I'm always interested in something when it isn't familiar to me.
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Art is not an object, but a trigger for experience.
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The problem with improvisation is, of course, that everyone just slips into their comfort zone and does sort of the easy thing to do, the most obvious thing to do with your instrument.
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In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
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Perhaps when music has been shouting for so long, a quieter voice seems attractive.
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I'm always interested in what you can do with technology that people haven't thought of doing yet.
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Anything popular is populist, and populist is rarely a good adjective.
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I'm very opinionated.
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Genius is individual, scenius is communal.
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Well, I am a dilettante. It's only in England that dilettantism is considered a bad thing. In other countries it's called interdisciplinary research.
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The point about working is not to produce great stuff all the time, but to remain ready for when you can.
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The computer brings out the worst in some people.
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One night, I pissed into an empty wine bottle so I could continue watching Monty Python, and suddenly thought 'I've never tasted my own piss,' so I drank a little. It looked just like Orvieto Classico and tasted of nearly nothing
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Whenever there's a new music, there's a new way of listening. And whenever there's a new way of listening, there are new musics that follow from that. And people start listening differently - that can either mean in different places or at different volumes or in different social groups or through different technologies.
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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The tools are evolving, and people's interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness. That isn't what they would describe what they're doing, but the fact is they make a virtue of the sort of hand-made nature of what they're doing.
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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