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Music in itself carries a whole set of messages which are very, very rich and complex, and the words either serve to exclude certain ones or point up certain others.

Brian Eno

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Brian Eno
Age: 76
Born: 1948
Born: May 15
Composer
Musician
Painter
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Writer
Borough of Melton
Eno
Brian Peter George Eno
Brian Peter George St John le Baptiste de la Salle Eno
Certain
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Either
Exclude
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Carrie
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Complex

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Most of those melodies are me trying to find out what notes fit, and then hitting ones that don't fit in a very interesting way.
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With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
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One of the interesting things about having little musical knowledge is that you generate surprising results sometimes you move to places you wouldn't if you knew better.
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Except in a few cases like Music for Airports, which was a very clear case of noticing a niche [and] saying, Okay, there's this situation in which people always play music, and nobody has written music for that situation so I'm going to. So, that was a very clear example of spotting a niche and working for it. I have done that occasionally.
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Repetition doesn't really exist
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Saying that cultural objects have value is like saying that telephones have conversations.
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The tools are evolving, and people's interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness. That isn't what they would describe what they're doing, but the fact is they make a virtue of the sort of hand-made nature of what they're doing.
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If you're in a forest, the quality of the echo is very strange because echoes back off so many surfaces of all those trees that you get this strange, itchy ricochet effect.
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Even though I'm known as a pop musician, I have a seriousness about what I do.
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I describe things in terms of body movements. I dance a bit to describe what sort of movement it ought to make, and that's a good way of talking to musicians. Particularly bass players.
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I don't live in the past at all I'm always wanting to do something new. I make a point of constantly trying to forget and get things out of my mind.
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You feel as if you're not living a full life. Which, of course, is why - it's my theory about why so many people who are heavily into computers are also into extreme sports and S&M. It's because their bodies are crying out for some kind of action.
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Anything popular is populist, and populist is rarely a good adjective.
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It infuriates me that stuff from the Internet routinely doesn't include all the credits. Because as soon as I listen to something, if I like it, I want to know, Who's the bass player? Who did that? Who's the engineer on this?
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Set up a situation that presents you with something slightly beyond your reach.
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You either believe that people respond to authority, or that they respond to kindness and inclusion. I'm obviously in the latter camp. I think that people respond better to reward than punishment.
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Whenever you listen to a piece of music, what you are actually doing is hearing the latest sentence in a very long story you’ve been listening to - all the pieces of music you’ve ever heard.
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People who are very confident in themselves aren't hurt by criticism. They make use of it.
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Well, there are some things that I just can't get out of my head, and they start to annoy me after a while. Sometimes they're of my own creation, as well - and they're just as annoying. It's not only other people's ear worms that bug me, it's my own, as well.
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I see TV as a picture medium rather than a narrative medium.
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