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I think one of my pursuits over the years is trying to answer the question of 'what else can you do with a voice other than stand in front of a microphone and sing?'
Brian Eno
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Brian Eno
Age: 76
Born: 1948
Born: May 15
Composer
Musician
Painter
Photographer
Record Producer
Singer
Songwriter
Writer
Borough of Melton
Eno
Brian Peter George Eno
Brian Peter George St John le Baptiste de la Salle Eno
Thinking
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Microphone
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Microphones
Stand
Pursuits
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Pursuit
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Sing
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Think
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More quotes by Brian Eno
I've never used a PC in my life I don't like them.
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Some people are very good at being 'stars' and it suits them. I'm grudging about it and I find it annoying.
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I see TV as a picture medium rather than a narrative medium.
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I think most artists would be happy to have bigger audiences rather than smaller ones. It doesn't mean that they are going to change their work in order necessarily to get it, but they're happy if they do get it.
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I always use the same guitar I got this guitar years and years ago for nine pounds. It's still got the same strings on it.
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Good teachers realise that the students are the antenna they are sensing things that the teachers don't yet sense.
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Most of those melodies are me trying to find out what notes fit, and then hitting ones that don't fit in a very interesting way.
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I'm always interested in what you can do with technology that people haven't thought of doing yet.
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Rationality is what we do to organize the world, to make it possible to predict. Art is the rehearsal for the inapplicability and failure of that process.
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Since I have always preferred making plans to executing them, I have gravitated towards situations and systems that, once set into operation, could create music with little or no intervention on my part. That is to say, I tend towards the roles of planner and programmer, and then become an audience to the results
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Every collaboration helps you grow. With Bowie, it's different every time. I know how to create settings, unusual aural environments. That inspires him. He's very quick.
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I've noticed a terrible thing, which is I will agree to anything if it's far enough in the future.
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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Everybody thinks that when new technologies come along that they're transparent and you can just do your job well on it. But technologies always import a whole new set of values with them.
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It infuriates me that stuff from the Internet routinely doesn't include all the credits. Because as soon as I listen to something, if I like it, I want to know, Who's the bass player? Who did that? Who's the engineer on this?
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When I've finally got the title, I think, Okay, yes, now I know where we are. Now I know what it is. Fine, that must be finished or nearly finished.
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Except in a few cases like Music for Airports, which was a very clear case of noticing a niche [and] saying, Okay, there's this situation in which people always play music, and nobody has written music for that situation so I'm going to. So, that was a very clear example of spotting a niche and working for it. I have done that occasionally.
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I enjoy working with complicated equipment. A lot of my things started just with a rhythm box, but I feed it through so many things that what comes out sounds very complex and rich.
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I've got nothing against records - I've spent my life making them - but they are a kind of historical blip.
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I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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