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I think most artists would be happy to have bigger audiences rather than smaller ones. It doesn't mean that they are going to change their work in order necessarily to get it, but they're happy if they do get it.
Brian Eno
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Brian Eno
Age: 76
Born: 1948
Born: May 15
Composer
Musician
Painter
Photographer
Record Producer
Singer
Songwriter
Writer
Borough of Melton
Eno
Brian Peter George Eno
Brian Peter George St John le Baptiste de la Salle Eno
Think
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Smaller
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Bigger
Mean
Ones
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Work
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Would
Happy
Audiences
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I love the sort of ambivalence of this, the ambiguity of something - being, for instance, in a quite busy Mexican restaurant with one of these very gentle tracks playing I remember as being particularly nice.
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I belong to a gospel choir. They know I am an atheist but they are very tolerant.
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All music has political dimensions because it suggests a way of being.
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I don't live in the past at all I'm always wanting to do something new. I make a point of constantly trying to forget and get things out of my mind.
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Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature... The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
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It infuriates me that stuff from the Internet routinely doesn't include all the credits. Because as soon as I listen to something, if I like it, I want to know, Who's the bass player? Who did that? Who's the engineer on this?
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A studio is an absolute labyrinth of possibilities - this is why records take so long to make because there are millions of permutations of things you can do. The most useful thing you can do is to get rid of some of those options before you start
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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As soon as I hear a sound, it always suggests a mood to me.
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Set up a situation that presents you with something slightly beyond your reach.
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With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
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As struggles go, being an artist isn't that much of one.
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You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre.
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I describe things in terms of body movements. I dance a bit to describe what sort of movement it ought to make, and that's a good way of talking to musicians. Particularly bass players.
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I have lived in countries that were coming out of conflict: Ireland, South Africa, the Czech republic. People there are overflowing with energy.
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Attention is what creates value. Artworks are made as well by how people interact with them - and therefore by what quality of interaction they can inspire.
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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