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The artists of the past who impressed me were the ones who really focused their work.
Brian Eno
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Brian Eno
Age: 76
Born: 1948
Born: May 15
Composer
Musician
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Borough of Melton
Eno
Brian Peter George Eno
Brian Peter George St John le Baptiste de la Salle Eno
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More quotes by Brian Eno
In art, you CAN crash your plane and walk away from it
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As struggles go, being an artist isn't that much of one.
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I think we're about ready for a new feeling to enter music. I think that will come from the Arabic world.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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When you sing with a group of people, you learn how to subsume yourself into a group consciousness because a capella singing is all about the immersion of the self into the community. That's one of the great feelings - to stop being me for a little while and to become us. That way lies empathy, the great social virtue.
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I describe things in terms of body movements. I dance a bit to describe what sort of movement it ought to make, and that's a good way of talking to musicians. Particularly bass players.
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The basis of computer work is predicated on the idea that only the brain makes decisions and only the index finger does the work.
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Rationality is what we do to organize the world, to make it possible to predict. Art is the rehearsal for the inapplicability and failure of that process.
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I set up situations that involve abandoning control and finding out what happens.
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You just make different music on a computer. And you can make wonderful music on a computer, but don't pretend that the machinery is transparent. It makes as much difference to what you're doing as it does if you play an acoustic guitar as opposed to a kettledrum. You're not going to make the same music.
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It's nice, I think, when people use your music for things you didn't think of.
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Nothing so dates an era as its conception of the future.
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For the world to be interesting, you have to be manipulating it all the time.
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In the 1960s, people were trying to get away from the pop song format. Tracks were getting longer, or much, much shorter.
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People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
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Every collaboration helps you grow. With Bowie, it's different every time. I know how to create settings, unusual aural environments. That inspires him. He's very quick.
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Except in a few cases like Music for Airports, which was a very clear case of noticing a niche [and] saying, Okay, there's this situation in which people always play music, and nobody has written music for that situation so I'm going to. So, that was a very clear example of spotting a niche and working for it. I have done that occasionally.
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The point about melody and beat and lyric is that they exist to engage you in a very particular way. They want to occupy your attention.
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The philosophical idea that there are no more distances, that we are all just one world, that we are all brothers, is such a drag! I like differences.
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I've never used a PC in my life I don't like them.
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