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Perhaps when music has been shouting for so long, a quieter voice seems attractive.

Brian Eno

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Brian Eno
Age: 76
Born: 1948
Born: May 15
Composer
Musician
Painter
Photographer
Record Producer
Singer
Songwriter
Writer
Borough of Melton
Eno
Brian Peter George Eno
Brian Peter George St John le Baptiste de la Salle Eno
Music
Long
Quieter
Shouting
Attractive
Perhaps
Voice
Seems

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I'm bloody awful at multi-tasking.
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If I had a stock of fabulous sounds I would just always use them. I wouldn't bother to find new ones.
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I always have wanted to know how the whole thing was done, what the process involved. And I don't particularly enjoy that my music is stripped of ancillary details, and it just sort of comes out of this big tap called the Internet like water. I like some of my water to be neatly presented in a bottle. With a label on it.
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A culture is the sum of all the things about which humanity can choose to differ.
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As struggles go, being an artist isn't that much of one.
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People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
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I often say to people that producing is the best paid form of cowardice. When you produce things you almost always get credit, if it's a good record, but you hardly ever get the blame if it's not! You don't really take responsibility for your work.
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I describe things in terms of body movements. I dance a bit to describe what sort of movement it ought to make, and that's a good way of talking to musicians. Particularly bass players.
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If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
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Every collaboration helps you grow. With Bowie, it's different every time. I know how to create settings, unusual aural environments. That inspires him. He's very quick.
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Except in a few cases like Music for Airports, which was a very clear case of noticing a niche [and] saying, Okay, there's this situation in which people always play music, and nobody has written music for that situation so I'm going to. So, that was a very clear example of spotting a niche and working for it. I have done that occasionally.
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When you sing with a group of people, you learn how to subsume yourself into a group consciousness because a capella singing is all about the immersion of the self into the community. That's one of the great feelings - to stop being me for a little while and to become us. That way lies empathy, the great social virtue.
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The tools are evolving, and people's interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness. That isn't what they would describe what they're doing, but the fact is they make a virtue of the sort of hand-made nature of what they're doing.
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A studio is an absolute labyrinth of possibilities - this is why records take so long to make because there are millions of permutations of things you can do. The most useful thing you can do is to get rid of some of those options before you start
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You either believe that people respond to authority, or that they respond to kindness and inclusion. I'm obviously in the latter camp. I think that people respond better to reward than punishment.
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The whole history of pop music had rested on the first person singular, with occasional intrusions of the second person singular.
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Try to make things that can become better in other people’s minds than they were in yours.
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I'm very opinionated.
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You can't really imagine music without technology.
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If you've spent a long time developing a skill and techniques, and now some 14 year-old upstart can get exactly the same result, you might feel a bit miffed I suppose, but that has happened forever.
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