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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
Brian Eno
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Brian Eno
Age: 76
Born: 1948
Born: May 15
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Borough of Melton
Eno
Brian Peter George Eno
Brian Peter George St John le Baptiste de la Salle Eno
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More quotes by Brian Eno
If you've spent a long time developing a skill and techniques, and now some 14 year-old upstart can get exactly the same result, you might feel a bit miffed I suppose, but that has happened forever.
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I know that if I had a television in my flat I would convince myself that everything on it was really interesting. I would say, 'I'm a Celebrity - Get Me Out of Here!' is so sociologically fascinating that I think I'd better watch.
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If there is a new fascism, it won't come from skinheads and punks it will come from people who eat granola and think they know how the world should be.
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With all fashion, what we do is play at being somebody else. We play at inhabiting another kind of world.
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The tools are evolving, and people's interests are evolving as well. So, suddenly people like to hear bands, people like Devendra Banhart or the xx, bands that make a kind of virtue of sloppiness. That isn't what they would describe what they're doing, but the fact is they make a virtue of the sort of hand-made nature of what they're doing.
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What people call unemotional just doesnt have a single overriding emotion to it. The things that I like best are the ones that ambiguous on the emotional level.
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You can hear the profile of a sound, in retrospect, so much more clearly than you did at the time. And I think one of the things that's going to be nauseatingly characteristic about so much music of now is its glossy production values and its griddedness, the tightness of the way everything is locked together.
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You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre.
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Every collaboration helps you grow. With Bowie, it's different every time. I know how to create settings, unusual aural environments. That inspires him. He's very quick.
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In England and Europe, we have this huge music called ambient - ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
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I'm very good with technology, I always have been, and with machines in general. They seem not threatening like other people find them, but a source of fun and amusement.
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I think, if you spend a day or - as many people do - a life working only with that aspect of your being, the cerebrum connected to a finger, I feel that the rest of you atrophies, essentially.
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The artists of the past who impressed me were the ones who really focused their work.
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Also something that you don't have to listen to from beginning to end - you can enter at any point and leave at any point.
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All cultures have these feelings about non-functional areas of activity. And the more time people have on their hands, the more they commit it to those areas.
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Some people say Bowie is all surface style and second-hand ideas, but that sounds like a definition of pop to me.
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Any constraint is part of the skeleton that you build the composition on - including your own incompetence.
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The first Velvet Underground album only sold 10,000 copies, but everyone who bought it formed a band
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In the wake of the events of 11 September 2001, it now seems clear that the shock of the attacks was exploited in America.
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When people censor themselves they're just as likely to get rid of the good bits as the bad bits.
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