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I do sometimes look back at things I've written in the past, and think, 'I just don't remember being the person who wrote that.'

Brian Eno

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Brian Eno
Age: 76
Born: 1948
Born: May 15
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In art, you CAN crash your plane and walk away from it
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In England and Europe, we have this huge music called ambient - ambient techno, ambient house, ambient hip-hop, ambient this, ambient that.
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In my normal life I'm a very unadventurous person.
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At the party, Rob Partridge said to me, You gave hope to other balding men. My new epitaph: Co-wrote a couple of decent songs and went bald shamelessly.
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You feel as if you're not living a full life. Which, of course, is why - it's my theory about why so many people who are heavily into computers are also into extreme sports and S&M. It's because their bodies are crying out for some kind of action.
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If you've spent a long time developing a skill and techniques, and now some 14 year-old upstart can get exactly the same result, you might feel a bit miffed I suppose, but that has happened forever.
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I think that there's something that I still like about the fact of a package, like the latest report from somebody. Okay, this is what they're up to now this is what they're doing who's working with them?
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I think most artists would be happy to have bigger audiences rather than smaller ones. It doesn't mean that they are going to change their work in order necessarily to get it, but they're happy if they do get it.
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When you make something you are always offering some choices and denying others.
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If you're in a forest, the quality of the echo is very strange because echoes back off so many surfaces of all those trees that you get this strange, itchy ricochet effect.
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I always use the same guitar I got this guitar years and years ago for nine pounds. It's still got the same strings on it.
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Some people say Bowie is all surface style and second-hand ideas, but that sounds like a definition of pop to me.
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I don't live in the past at all I'm always wanting to do something new. I make a point of constantly trying to forget and get things out of my mind.
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I always have wanted to know how the whole thing was done, what the process involved. And I don't particularly enjoy that my music is stripped of ancillary details, and it just sort of comes out of this big tap called the Internet like water. I like some of my water to be neatly presented in a bottle. With a label on it.
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American television really is pathetic.
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A lot of the so-called systems composers have this thing that the system is always right. You don't fiddle with it at all. Well, I don't think that. I think the system is as right as you judge it to be. If for some reason you don't like a bit of it you must trust your intuition on that. I don't take a doctrinaire approach to systems.
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In the 19th century, a lot of people were against outlawing child labour, because to do so would be against the very foundations of a free market economy: 'These children want to work, these people want to employ them... what is your problem? It's not as if anyone has kidnapped them...'
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Editing is now the easiest thing on earth to do, and all the things that evolved out of word processing - 'Oh, let's put that sentence there, let's get rid of this' - have become commonplace in films and music too.
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Whatever you now find weird, ugly, uncomfortable and nasty about a new medium will surely become its signature... The excitement of grainy film, of bleached-out black and white, is the excitement of witnessing events too momentous for the medium assigned to record them.
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