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The point about melody and beat and lyric is that they exist to engage you in a very particular way. They want to occupy your attention.
Brian Eno
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Brian Eno
Age: 76
Born: 1948
Born: May 15
Composer
Musician
Painter
Photographer
Record Producer
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Songwriter
Writer
Borough of Melton
Eno
Brian Peter George Eno
Brian Peter George St John le Baptiste de la Salle Eno
Particular
Attention
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Point
Occupy
Way
Engage
Melody
Beat
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Exist
More quotes by Brian Eno
I had a lot of trouble with engineers, because their whole background is learning from a functional point of view, and then learning how to perform that function.
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Don't be ashamed of your own ideas. Most musicians get applauded for sounding like someone else.
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I always use the same guitar I got this guitar years and years ago for nine pounds. It's still got the same strings on it.
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The dominant theory coming out of Hollywood is that peoples' attention spans are getting shorter and shorter and they need more stimulation.
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I set up situations that involve abandoning control and finding out what happens.
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I hate talking about music, to tell you the truth.
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People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
Brian Eno
Everybody thinks that when new technologies come along that they're transparent and you can just do your job well on it. But technologies always import a whole new set of values with them.
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There is a sort of convergence starting to happen between the computer and musical instruments, but it's still quite a long way off.
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At the beginning of the 20th century, the ambition of the great painters was to make paintings that were like music, which was then considered as the noblest art.
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You shoot your arrow and then you paint your bulls eye around it, and therefore you have hit the target dead centre.
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When you make something you are always offering some choices and denying others.
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Any constraint is part of the skeleton that you build the composition on - including your own incompetence.
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Saying that cultural objects have value is like saying that telephones have conversations.
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A lot of the so-called systems composers have this thing that the system is always right. You don't fiddle with it at all. Well, I don't think that. I think the system is as right as you judge it to be. If for some reason you don't like a bit of it you must trust your intuition on that. I don't take a doctrinaire approach to systems.
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Attention is what creates value. Artworks are made as well by how people interact with them - and therefore by what quality of interaction they can inspire.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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Not many people bought Velvet Underground LPs, but those who did, started a band.
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If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
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Every collaboration helps you grow. With Bowie, it's different every time. I know how to create settings, unusual aural environments. That inspires him. He's very quick.
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