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I have lived in countries that were coming out of conflict: Ireland, South Africa, the Czech republic. People there are overflowing with energy.
Brian Eno
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Brian Eno
Age: 76
Born: 1948
Born: May 15
Composer
Musician
Painter
Photographer
Record Producer
Singer
Songwriter
Writer
Borough of Melton
Eno
Brian Peter George Eno
Brian Peter George St John le Baptiste de la Salle Eno
Lived
Czech
Coming
Overflowing
Energy
Ireland
Country
Republic
People
Africa
Countries
South
Conflict
More quotes by Brian Eno
One night, I pissed into an empty wine bottle so I could continue watching Monty Python, and suddenly thought 'I've never tasted my own piss,' so I drank a little. It looked just like Orvieto Classico and tasted of nearly nothing
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If I had a stock of fabulous sounds I would just always use them. I wouldn't bother to find new ones.
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Also something that you don't have to listen to from beginning to end - you can enter at any point and leave at any point.
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If you had a sign above every studio door saying ‘This Studio is a Musical Instrument’ it would make such a different approach to recording.
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Anything popular is populist, and populist is rarely a good adjective.
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The computer brings out the worst in some people.
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I have these headphones, which pretty much exclude everything else so that you can really completely control the sound that you're hearing. I don't use them very much, I have to say. I very rarely listen on headphones.
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I don't live in the past at all I'm always wanting to do something new. I make a point of constantly trying to forget and get things out of my mind.
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I know that if I had a television in my flat I would convince myself that everything on it was really interesting. I would say, 'I'm a Celebrity - Get Me Out of Here!' is so sociologically fascinating that I think I'd better watch.
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I felt extremely uncomfortable as the focal point, in the spotlight. I really like the behind the scenes role, because all my freedom is there.
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Everything is an experiment until it has a deadline. That gives it a destination, context, and a reason.
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I belong to a gospel choir. They know I am an atheist but they are very tolerant.
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A lot of the so-called systems composers have this thing that the system is always right. You don't fiddle with it at all. Well, I don't think that. I think the system is as right as you judge it to be. If for some reason you don't like a bit of it you must trust your intuition on that. I don't take a doctrinaire approach to systems.
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Nothing so dates an era as its conception of the future.
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Any constraint is part of the skeleton that you build the composition on - including your own incompetence.
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I describe things in terms of body movements. I dance a bit to describe what sort of movement it ought to make, and that's a good way of talking to musicians. Particularly bass players.
Brian Eno
Everybody thinks that when new technologies come along that they're transparent and you can just do your job well on it. But technologies always import a whole new set of values with them.
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If you're in a forest, the quality of the echo is very strange because echoes back off so many surfaces of all those trees that you get this strange, itchy ricochet effect.
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As soon as I hear a sound, it always suggests a mood to me.
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I've noticed a terrible thing, which is I will agree to anything if it's far enough in the future.
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