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Exploitation is a harsh word, I know that, but on a certain level, to me that is the central Hollywood story.
Bret Easton Ellis
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Bret Easton Ellis
Age: 60
Born: 1964
Born: March 7
Executive Producer
Journalist
Novelist
Podcaster
Screenwriter
Short Story Writer
Writer
LA
California
Bret-Easton Ellis
Bret Ellis
Word
Story
Stories
Exploitation
Certain
Harsh
Central
Hollywood
Level
Levels
More quotes by Bret Easton Ellis
Greed is good. Sex is easy. Youth is forever.
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I wasn't acting on passion. I was simply acting.
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I laugh maniacally, then take a deep breath and touch my chest- expecting a heart to be thumping quickly, impatiently, but there's nothing there, not even a beat.
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My pain is constant and sharp, and I do not hope for a better world for anyone.
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I do not feel I have a legacy to protect.
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I write books to relieve myself of pain. That's the prime motivator to write. Period.
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No one will ever know anyone. We just have to deal with each other. You're not ever gonna know me.
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So…” Kimball looks at his book helplessly. “There’s nothing you can tell me about Paul Owen?” “Well.” I sigh. “He led what I suppose was an orderly life, I guess. “ Really stumped, I offer, “He...ate a balanced diet.
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It's the rare book that's able to transport you in a way that a movie does.
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but I don't want to wear a condom because I don't feel anything, and she says calmly... glaring at me,If you don't use one you're not going to feel anything anyway.
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Not being able to find meaning can be just as powerful as finding meaning.
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I have all the characteristics of a human being: blood, flesh, skin, hair but not a single, clear, identifiable emotion, except for greed and disgust. Something horrible is happening inside of me and I don't know why. My nightly bloodlust has overflown into my days. I feel lethal, on the verge of frenzy. I think my mask of sanity is about to slip.
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She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
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...there is an idea of a Patrick Bateman, some kind of abstraction, but there is no real me, only an entity, something illusory, and though I can hide my cold gaze and you can shake my hand and feel flesh gripping yours and maybe you can even sense our lifestyles are probably comparable: I simply am not there.
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After a while you learn that everything stops.
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But this road doesn't go anywhere,” I told him. “That doesn't matter.” “What does?” I asked, after a little while. “Just that we're on it, dude,” he said.
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I've been accused of being very vain about my apathy.
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I am gripped by an existential panic.
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I have to return some videotapes
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I feel I'm moving toward as well as away from something, and anything is possible.
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