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Disappear Here. The syringe fills with blood. You're a beautiful boy and that's all that matters. Wonder if he's for sale. People are afraid to merge. To merge.
Bret Easton Ellis
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Bret Easton Ellis
Age: 60
Born: 1964
Born: March 7
Executive Producer
Journalist
Novelist
Podcaster
Screenwriter
Short Story Writer
Writer
LA
California
Bret-Easton Ellis
Bret Ellis
Blood
Wonder
Merge
Sale
Beautiful
Fills
Matter
Disappear
People
Matters
Afraid
Boys
More quotes by Bret Easton Ellis
Hope E.L .James doesn't think I'm being a prankster. I really want to adapt her novels for the screen. Christian Grey is a writer's dream.
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I had no idea that 'Less Than Zero' was going to be read by anyone outside of Los Angeles, and it's - believe me, as the writer of the book I'm somewhat amused and intrigued by the idea that 25 years later it's still out and people are still reading it.
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I've forgotten who I had lunch with earlier, and even more important, where.
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It's because you're always fighting sentiment. You're fighting sentimentality all of the time because being a mother alerts you in such a primal way.
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If you come at movies with your own sense of morality and not your own sense of aesthetics, I think you're screwed. I think that's not a way to look at movies.
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Fear never shows up and the party ends early.
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No one will ever know anyone. We just have to deal with each other. You're not ever gonna know me.
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... her taste in music haunted my memory and I had to stop at Tower Records on the Upper West Side to buy ninety dollars' worth of rap CDs but, as expected, I'm at a loss: [...] voices uttering ugly words like digit, pudding, chunk.
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Our lives are not all interconnected. That theory is a crock. Some people truly do not need to be here.
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There’s no use in denying it: this has been a bad week. I’ve started drinking my own urine.
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The snowy owl has eyes that look just like mine, especially when it widens them. And while I stand there, staring at it, lowering my sunglasses, something unspoken passes between me and the bird - there's this weird kind of tension, a bizarre pressure, that fuels the following, which starts, happens, ends, very quickly.
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She sits before me, sullen but hopeful, characterless, about to dissolve into tears. I squeeze her hand back, moved, no, touched by her ignorance of evil. She has one more test to pass. Do you own a briefcase?” I ask her, swallowing.
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Completely committed to adapting 'Fifty Shades of Grey'. This is not a joke. Christian Grey and Ana: potentially great cinematic characters.
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At Columbus Circle, a juggler wearing a trench cloak and top hat, who is usually at this location afternoons and who calls himself Stretch Man, performs in front of a small, uninterested crowd though I smell prey, and he seems worthy of my wrath, I move on in search of a less dorky target. Though if he'd been a mime, odds are he'd already be dead.
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I feel like I'm not smart enough to answer the questions I'm asked.
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Disintegration---I'm taking it in stride.
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And as the elevator descents, passing the second floor, and the first floor, going even father down, I realize that the money doesn't matter. That all that does is that I want to see the worst
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What else is there to do in college except drink beer or slit one's wrists?
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