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[Martin Scorsese ] basically works just like any other director. You work the scene, you try to find what's best in it and make it work. That's what it was like.
Brent Spiner
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Brent Spiner
Age: 75
Born: 1949
Born: February 2
Actor
Comedian
Film Actor
Musician
Screenwriter
Singer
Stage Actor
Television Actor
Voice Actor
Houston
Texas
Brent Jay Spiner
Brent Jay Mintz
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More quotes by Brent Spiner
I did have a tiny moment in a TV movie called My Sweet Charlie, starring Patty Duke.
Brent Spiner
Dana Carvey is hilarious. He's a really, really funny, talented guy. You know, I can't think of anything I've ever done that I regret doing, and I certainly don't regret doing Master Of Disguise, because I got to hang around Dana.
Brent Spiner
The kid in the episode [of Tales From The Darkside ] was played by Christian Slater! He was all of about 12 or so, but I've run into Christian many times since then, and he always does his line from Tales From The Darkside whenever he sees me.
Brent Spiner
Needless to say, I was impressed by Felicia [Day] and her moxie with how to do a web series. I mean, she's the queen of the web.
Brent Spiner
It's fun to do something different. And there are things you can do in a small palate that you can't necessarily do in a larger role. You can go a little further and do things you could never pull off for any length of time, but you can do for the short run.
Brent Spiner
I think I worked an average of about 10 minutes a day [in Big Bang Theory series]. It took longer to get to the studio than I actually worked. So I regard the driving there as the actual job. The work itself was just fun.
Brent Spiner
That's what kids were like then. So I really like the movie [Dude, Where's My Car? ], I think it's genuinely funny, and I wish I hadn't been so arrogant about it. And, of course, I didn't know it was going to be my best work, either.
Brent Spiner
I went to New York out of college, and in my day, we were told that was the way you became a good actor. You don't go to Hollywood, you go straight to New York and work in the theater. So that's what most of the people I knew did.
Brent Spiner
I have to go with Data's makeup, because that was basically every day, 10 months out of the year, for seven years. There were only a couple of days that I had to endure for Dr. Soong.
Brent Spiner
I had a fantastic teacher in high school. I had one of those guys you dream of having, who molds your life and inspires you to go in a particular direction, and he was quite brilliant. His name was Cecil Pickett, and a lot of the kids from my high-school drama class are in professional show business and have done quite well.
Brent Spiner
I think honestly, believe it or not, that Dude, Where's My Car? in a way represents its time better than almost any film made around that.
Brent Spiner
That job [on Out to Sea], more than any I've ever done, I couldn't wait to get to work in the morning. And not only that, but I had a great part. So it was just beyond fun on every level.
Brent Spiner
The one on Fresh Hell is a little easier, because we make it up. It's a strange kind of hybrid of the real me and... Well, obviously it's me standing there, and it's my voice and my face, but it's also kind of filtered through Harry Hannigan's take on the character, the one he's writing.
Brent Spiner
Earl Mills is probably the best role I've ever been given in a film. And it was a great experience to work with Halle [Berry] and Klaus Maria Brandauer, an Austrian actor who's a hero of mine. Martha Coolidge directed the movie [Introducing Dorothy Dandridge], giving me another shot, and it was an amazing experience.
Brent Spiner
Harry [ Hannigan] and Chris [Ellis] are sitting there while we're doing [ Fresh Hell], and Chris is directing, obviously, but if we start fooling around a little bit, Harry comes in, and he's got some addition that makes it even funnier. But we start with a complete script.
Brent Spiner
We were kind of never one of CBS favorites [with Threshold], even though we'd gotten really good reviews for the pilot. We were on at, what was it, 10 o'clock on a Friday night? That's kind of where you bury a show if you don't want it to last. But, wow, what a cast, huh? You could never get that cast together again.
Brent Spiner
I didn't audition or anything like that. But I went into John Loganhis office... It was his screening room in his office, actually, and I sat and schmoozed with him for about two minutes, which I think is standard, and, y'know, we got on fine.
Brent Spiner
Both of the Quaid brothers, Randy and Dennis, were in my class, and Tommy Schlamme, who produced and directed The West Wing with Aaron Sorkin, among many others. Marianne Williamson, who did A Course In Miracles, she was in my high-school drama class, too. So it was kind of an amazing class.
Brent Spiner
We had lunch that day [with Chris Ellis], and I was talking about this idea. I toyed with it a little bit on Twitter in story form at one point. And he thought it was a great idea, and he thought, Well, let's bring my friend Harry Hannigan in, who's a wonderful writer, and let's see if we can put something together.
Brent Spiner
They were nicely written and nicely directed episodes [Star Trek: Enterprise]. I enjoyed working with Scott [Bakula]. So it was good to do, and, as you said, it did serve to enhance the Soong legacy.
Brent Spiner