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A lot of musicians have a tough time hearing what we're doing in a trio format.

Branford Marsalis

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Branford Marsalis
Age: 64
Born: 1960
Born: August 26
Actor
Composer
Jazz Musician
Saxophonist
New Orleans
Louisiana
Musician
Tough
Time
Trio
Trios
Format
Musicians
Hearing

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There's not one Tin Pan Alley song on my record.
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Jazz is so incestuous that it's starting to kill itself.
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If it's not going to sound like Terrapin Station, what's the point of playing Terrapin Station?
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If I were like a lot of other people, then it wouldn't be fun but since I'm like me, it's okay.
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The piano is the X factor. People have a tough time following the structures when there's no piano there, spelling it out. It makes it more easily understood, particularly to people who don't know as much about music.
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So much of Jazz doesn't have an audience other than music students or musicians.
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We all played bad before we played good.
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My job is to write songs that have emotional meaning to me.
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The whole point is, give me a break with the standards. You go to the average jazz label and suggest a record and they want to know which standards you're going to play. I'm saying let's break the formula.
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I gave up my base in popular culture when I left the Tonight Show.
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If youre going to use standards as criteria for signing musicians, you can sign thousands. If youre going to use some sort of conceptual interpretation thats based on the tradition of those standards, but is trying to move away from it, youre down to about 10 people or so.
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I don't care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do.
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The biggest problem with American music right now, is that kids don't listen. They come by it honestly, Americans don't listen anyway. When people go to concerts, they say I'm going to see... not, I'm going to hear.
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That's kind of like how jazz is sometimes. You're out there predicting the future, and no one believes you.
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What is jazz? It, It's almost like asking, What is French? Jazz is a musical language. It's a musical dialect that actually embodies the spirit of America.
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One of the things that I loved about listening to Miles Davis is that Miles always had an instinct for which musicians were great for what situations. He could always pick a band, and that was the thing that separated him from everybody else.
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When you're dealing with music without words, titles are more a means of identification than anything else. What's the point of getting lofty?
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It's hard to get into Newsweek because, as more of our former intellectual magazines take on a pop focus, if there's no buzz, there's no interest.
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We played it as long as we could play it on that CD and I think it might be 50 minutes, maybe. What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
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