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I feel very strongly about the subject matter in The Dallas Buyer's Club - about AIDS and people fighting illnesses, and fighting for survival against bad conditions.

Bradford Cox

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Bradford Cox
Age: 42
Born: 1982
Born: May 15
Composer
Guitarist
Recording Artist
Singer
Singer-Songwriter
Athens
Georgia
Bradford James Cox
Atlas Sound
People
Aids
Illness
Survival
Subject
Buyer
Conditions
Illnesses
Fighting
Dallas
Matter
Strongly
Feel
Club

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What could be more experimental than me writing a straight up love song?
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The Internet nowadays is all sensationalism, and it's just terrifying when you're actually experiencing it as a person.
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I like my solitude, and I'm a strong-willed person I'm a very hard-to-be-around person sometimes, I guess.
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I collaborate a little bit with different aspects of my own mind. I kick my own ass instead of kicking other people's asses.
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That's what culture is based on, the passing down of a certain narrative by imitation.
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I'm obsessed with five different things a day. It's like lightbulbs in a Christmas light chain.
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When I got hit by the car, I became depressed. As a result, I've been on antidepressants and I feel like I have no sexuality left. People complain about that side effect, but I love it. I feel outside of society.
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For me, experimenting involves traditionalism.
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It's made me cynical at a young age to see how overlooked certain groups I've admired are.
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I always write the first and last song of an album first, and then the middle just kind of happens.
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Musicians and artists are not... it's not like politicians or something where you can't really affect them. There's not like this separate caste system where it's like, I'm the musician, you're the audience. Never the two shall meet. It was a case where it was like, Hey, you know what? I'm on your level, man.
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You don't need to drink if you have emotional problems.
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I've always been interested in writing from other people's perspectives and other gender perspectives.
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I have really low self-esteem, and it's not easy for me to put myself on an album cover.
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You're always as a musician trying to shock yourself or create music that's maybe even too weird for your own taste. In my case it's kind of weird because I started out being known more for ambient things and ambiguous music, but what's experimental for me is the more traditional structure. For me, experimenting involves traditionalism.
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I'm a really friendly guy, I guess, and I really like meeting people.
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The sober guy is always going to have this air of arrogance or self-righteousness, but it's not my intention. I just knew that if I drank, I'd have a drinking problem.
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My entire education in music was in reading interviews with bands like Stereolab and finding out about Brazilian music or a Romanian composer. You expose yourself to what people you look up to admire.
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Usually I'm not really conscious of what's going on. I don't have a lot of memories onstage. At all.
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I read a lot - surveys of vernacular music. A lot of it is the Harry Smith Anthology of American Folk Music, which I've loved since I was in high school. They had it at the library and I always thought that was interesting, even when I was into punk and stuff. Just the history of storytelling and the amount of melancholy a lot of old music has.
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