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Certainly for me, when punk exploded in the 1970s, it was just great. We had these wonderful clothes to wear. We could do great things with our hair. We had protest badges that read I belong to the Blank Generation. It was such a great time to be a kid.

Boy George

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Boy George
Age: 63
Born: 1961
Born: June 14
Autobiographer
Composer
Disc Jockey
Fashion Designer
Photographer
Record Producer
Recording Artist
Singer
Singer-Songwriter
George Alan O'Dowd
Generations
Blank
Hair
Protest
Wonderful
Punk
Read
Belong
Kids
Wear
Great
Generation
Things
Certainly
Exploded
Time
Clothes
Badges

More quotes by Boy George

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People say things about me all the time and I get over it. I've had some appalling things told about me.
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I don't know whether when I was 20 years old or 25 years old if somebody would have come along with incredible wisdom whether I would have really listened.
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I was really good friends with Matthew Ashman, the guitarist in Bow Wow Wow. He died, unfortunately. He was one of my best friends during my sort of punk period.
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I'm not someone who can sing anything... And my favorite singers aren't people whose voice you would say is amazing. I'm a big Bob Dylan fan, a huge David Bowie fan... none of those people have orthodox, cabaret voices. These are people where what they're singing about is just as important as how they're singing it.
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I'm not gay, and I'm not a transvestite.
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I was about 16 when punk started to happen. It was so exciting. You had a social depression going on in the U.K. There was a sanitation strike. London was really grim, gray. You had Margaret Thatcher coming in. It was a really revolutionary time.
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Leigh Bowery was actually quoted as saying, Flesh is my most favorite fabric. I've seen many a freak make a scene and go, but Leigh was a special kind of exhibitionist because he was dedicated and saw it as an art form.
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Leigh [Bowery] would create fake guest lists and put the most ridiculous names on them - Joan Collins, or really naff soap stars who would never grace the door of Taboo.
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After half an hour the drug hit me like a sensuous tidal wave. I turned into a tactile temptress and wanted to stroke the whole world. It gave me untold confidence.
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I wasn't part of the Taboo crowd the same way I was part of the New Romantics. I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.
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I exercise. I go to the gym every day. It's about respecting what you're doing. You're going on stage. You have to sleep. You have to be prepared.
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I was approached by this guy Chris Renshaw, who had read my book and had read Leigh's book. He wanted to incorporate both characters - he probably felt Leigh wasn't famous enough and he realized Leigh [Bowery] and I were associated.
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The band never actually split up - we just stopped speaking to each other and went our own separate ways.
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A lot of people come up to me all the time and say thank you for helping me be who I am. So my thing wasn't just about sexuality. It was about anyone who felt different anyone who felt out of place. Being gay was one part of it.
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For me with The Apprentice, it kind of blew out my business brain. I don't really think of myself as a business person. I think of myself more as a creative-type person, but it's quite nice to be challenged physically and mentally.
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Being in the Boy Scouts, you don't think about whether people are gay or straight. You're busy putting up tents and learning to cut sausages.
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Go home. Let me do my community service.
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What happened during the previews of 'Taboo' [musical] was that it was the first time I'd ever been written about as a great song-writer - I cried. I absolutely wept, because it wasn't the usual stuff like, Oh, he was a drug addict and he did this and that... It was really looking at the music and it was really complimentary. It was a huge thi
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Warren Street was at the high end of the New Romantic scene. They were mostly college art students and people who knew top designers.
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A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.
Boy George