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I was approached by this guy Chris Renshaw, who had read my book and had read Leigh's book. He wanted to incorporate both characters - he probably felt Leigh wasn't famous enough and he realized Leigh [Bowery] and I were associated.
Boy George
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Boy George
Age: 63
Born: 1961
Born: June 14
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George Alan O'Dowd
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You have to eat at a certain time and eat properly.
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Voting for New Labour is like helping an old lady across the road while screaming 'Get a move on!' Even the Tories, who you could once rely on to be completely heartless are pretending to care.
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I think being individual in the show business is what gives you life and longevity.
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A difficult crowd will always test your true ability.
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When Culture Club broke up, I hadn't been going out a lot because we'd been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.
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I wasn't part of the Taboo crowd the same way I was part of the New Romantics. I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.
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A lot of people come up to me all the time and say thank you for helping me be who I am. So my thing wasn't just about sexuality. It was about anyone who felt different anyone who felt out of place. Being gay was one part of it.
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Beethoven had a great look. It was very much about the drama of appearance.
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Being in the Boy Scouts, you don't think about whether people are gay or straight. You're busy putting up tents and learning to cut sausages.
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For me, touring is about looking after myself.
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A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.
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I try to exist in a world where there is freedom of opinion, where you're allowed to make jokes. I don't want to live in some PC world where no-one's allowed to say anything.
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I remember going onstage on Broadway in this Leigh Bowery thing for a track like Ich Bin Kunst. I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie [O'Donnell] was trying to sell the show as sort of Pippin and Annie. She was saying it's a family sho
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I suppose there is a lot of toughness in me.
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I was about 16 when punk started to happen. It was so exciting. You had a social depression going on in the U.K. There was a sanitation strike. London was really grim, gray. You had Margaret Thatcher coming in. It was a really revolutionary time.
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I have the best job in the world. There's not really a lot to moan or whine about. I've got the privilege of going out and doing something I absolutely love.
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I like the big bombastic singers, but I'm also very drawn to what I call character singers. They're people who obviously aren't very huge singers, but they've got this ability to tell a story and touch you emotionally without really using any kind of histrionics or special effects.
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I'm very uncomfortable with the idea of vaginas. They bother me in the way that spiders bother some people.
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I think drugs played a big role in the Taboo scene. People were taking copious amounts of ecstasy, which had filtered over from New York, and at a certain point you were more likely to spend most of the night in the toilets at the club.
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I'm being honest, I say what I think.
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