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I was really good friends with Matthew Ashman, the guitarist in Bow Wow Wow. He died, unfortunately. He was one of my best friends during my sort of punk period.

Boy George

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Boy George
Age: 63
Born: 1961
Born: June 14
Autobiographer
Composer
Disc Jockey
Fashion Designer
Photographer
Record Producer
Recording Artist
Singer
Singer-Songwriter
George Alan O'Dowd
Periods
Died
Matthew
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Wow
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Punk
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A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.
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When Culture Club broke up, I hadn't been going out a lot because we'd been working all the time, so I suddenly had this period of leisure. And it was just around the time that the whole acid house thing kicked off in London.
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I was approached by this guy Chris Renshaw, who had read my book and had read Leigh's book. He wanted to incorporate both characters - he probably felt Leigh wasn't famous enough and he realized Leigh [Bowery] and I were associated.
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I don't know whether when I was 20 years old or 25 years old if somebody would have come along with incredible wisdom whether I would have really listened.
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Karma chameleon: we come and go, we come and go.
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I always feel that my whole life is representing the LGBT community. It's kind of what I do all the time.
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For me with The Apprentice, it kind of blew out my business brain. I don't really think of myself as a business person. I think of myself more as a creative-type person, but it's quite nice to be challenged physically and mentally.
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Beethoven had a great look. It was very much about the drama of appearance.
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Certainly for me, when punk exploded in the 1970s, it was just great. We had these wonderful clothes to wear. We could do great things with our hair. We had protest badges that read I belong to the Blank Generation. It was such a great time to be a kid.
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It's [Jail's] like being at school. Except you can't leave.
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I can do anything. In GQ, I appeared as a man.
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Someone once said a cynic is just a disappointed romantic. That really, really sums me up.
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I felt that making records in a traditional way - putting them out in the same way, wasting loads of money - was just a pointless exercise.
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I wasn't part of the Taboo crowd the same way I was part of the New Romantics. I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.
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I remember going onstage on Broadway in this Leigh Bowery thing for a track like Ich Bin Kunst. I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie [O'Donnell] was trying to sell the show as sort of Pippin and Annie. She was saying it's a family sho
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I wear makeup and dress this way because I think it makes me look better. I am not doing it to get people to stare at me. If I wanted to do that I could just put a pot on my head, wear a wedding dress, and run screaming down the street.
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I was about 16 when punk started to happen. It was so exciting. You had a social depression going on in the U.K. There was a sanitation strike. London was really grim, gray. You had Margaret Thatcher coming in. It was a really revolutionary time.
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The world is less homophobic, depending on where you are in the world... As a gay man I feel very strongly about those issues around the world - there've been huge changes and developments, but there are still places where things are scary.
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The Taboo crowd was certainly less precious. They were happy to end up in a pile of vomit and booze at the end of the night. It was antifashion, in a sense. They were just as obsessive as the New -Romantics but they acted like they didn't care.
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I am what I am. There's nothing I can do about it.
Boy George