Quote

Separation penetrates the disappearing person like a pigment and steeps him in gentle radiance.

Boy George

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Boy George
Age: 63
Born: 1961
Born: June 14
Autobiographer
Composer
Disc Jockey
Fashion Designer
Photographer
Record Producer
Recording Artist
Singer
Singer-Songwriter
George Alan O'Dowd
Distance
Penetrates
Persons
Disappearing
Person
Radiance
Long
Penetrate
Like
Separation
Gentle
Disappear
Absence
Pigment

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Very few people can truly divorce themselves from what they feel emotionally and sexually.
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I mean, Justin Bieber, Taylor Swift, Ariana Grande, I think the young kids sell lot of records. But for an older kind of artist, more of a sort of heritage, vintage type of artist, you have to think outside the box.
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When you're younger, you think you're in competition with everyone. You think everyone's success is a threat to you, and this is a thing you grow out of. You get older and you suddenly realize the only person you're in competition with is yourself.
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On Madonna: She's a gay man trapped in a woman's body.
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I started going to Madame Louise's, the lesbian club where all the punk bands used to go - the Sex Pistols, the Clash. I remember seeing Billy Idol walk in there he was gorgeous.
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Leigh Bowery created outfits that made him look deformed, which was very brave. I believe this was the main thing that gave Leigh his edge. His designs were often breath-taking, but it was the way he used his body that was so utterly new and refreshing.
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I wear makeup and dress this way because I think it makes me look better. I am not doing it to get people to stare at me. If I wanted to do that I could just put a pot on my head, wear a wedding dress, and run screaming down the street.
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My God is better than your God
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I was really good friends with Matthew Ashman, the guitarist in Bow Wow Wow. He died, unfortunately. He was one of my best friends during my sort of punk period.
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Leigh [Bowery] would create fake guest lists and put the most ridiculous names on them - Joan Collins, or really naff soap stars who would never grace the door of Taboo.
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I wasn't part of the Taboo crowd the same way I was part of the New Romantics. I suppose I was seen more as an elder statesman because I had been around the London club scene for so many years. To the Taboo crowd I was really seen as a pop star, someone famous.
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You find out so many interesting things when you're not on drugs.
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I think drugs played a big role in the Taboo scene. People were taking copious amounts of ecstasy, which had filtered over from New York, and at a certain point you were more likely to spend most of the night in the toilets at the club.
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You have to eat at a certain time and eat properly.
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I always feel that my whole life is representing the LGBT community. It's kind of what I do all the time.
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Taboo was kind of celebrating trash, the kind of records you secretly loved, like Yes Sir, I Can Boogie, by Baccara [laughs] - things that you probably shouldn't like.
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Leigh [Bowery] obviously loved having me in the club because I would attract media, and he loved and lived for his column inches.
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I was about 16 when punk started to happen... It felt like you had this naive idea that you could change things just by wearing something.
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I'm not someone who can sing anything... And my favorite singers aren't people whose voice you would say is amazing. I'm a big Bob Dylan fan, a huge David Bowie fan... none of those people have orthodox, cabaret voices. These are people where what they're singing about is just as important as how they're singing it.
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Leigh Bowery was actually quoted as saying, Flesh is my most favorite fabric. I've seen many a freak make a scene and go, but Leigh was a special kind of exhibitionist because he was dedicated and saw it as an art form.
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