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I grew up with donkeys, as well as horses, but I'm more interested in donkeys.

Bonnie Jo Campbell

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Bonnie Jo Campbell
Age: 62
Born: 1962
Born: September 14
Novelist
Writer
Kalamazoo
Michigan
Donkeys
Donkey
Horses
Horse
Interested
Grew
Wells
Well

More quotes by Bonnie Jo Campbell

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I'm pro-life, in the sense that chaos seems like life to me and order seems like death.
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I do different work, teaching and running around visiting universities and bookstores, and that prevents me from writing. But it's nice to be wanted as a writer.
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I can't personally drink or fight too much nowadays because I have to be perky in the morning in order to write.
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That's why I have to be a fiction writer, because I can't remember what just happened or where I went last week or what movie I just watched with my husband. I'm better off just making things up.
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Donkeys are the most misunderstood and abused animals around the world.
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I think by writing about a place with great specificity, you manage to make it universal.
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A Life in Men is a joyful, ambitious novel that is also an adventure traversing three continents, as well as a meditation on love, sex, and, most important, friendship, which can overcome time, distance, and even death.
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I think back when I was kind of a crappy writer, I really did know my time was better spent working and having adventures and seeing the world.
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I'm of the people in the bar and the people in my stories. They are my tribe.
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The best and easiest lesson for me was to learn that writing is mostly hard work.
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I'm not much interested in my own self when I write. I'm interested in what I observe out there, what's going on around me.
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That's where I live, a junkyard in a neighborhood of junkyards. We have three tractors from the 1940s and '50s, several old pickup trucks, and a pile of scrap metal.
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Eighty percent of all novels are bought by women, or so I've heard.
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I mostly write about the working poor. Somehow, they're not being written about much anymore. I'm very interested in people who are in a situation that needs a little puzzling out. The thing that gets me started on a story is a person in a tough situation.
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We have a shotgun we inherited from my father-in-law, a paranoid Englishman living in Texas. I have a .22 Marlin rifle, similar to the one Annie Oakley had, and my husband has a .357 Magnum pistol. All those are locked up tight, of course. We have a couple of pellet guns that get more use than the real guns.
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Being five-foot-ten at fourteen years old was a little bit scary.
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I have a second-degree black belt in Okinawan kobudo weapons training.
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I read stories aloud at every stage. I listen to my writer friends when they kindly offer criticism. I listen to my husband when he tells me something doesn't seem right. I have my mother's boyfriend, Loring Janes, read to make sure I get everything right with the machines and guns.
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Maybe the hardest lesson is the one I have to learn over and over again, that each story is its own animal, that every story I write is going to come only with difficulty.
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If you have someone falling out of the boat, you'd have to drag the boat up the river and film the same scene ten times, every time, dragging the boat exactly where it was up the river.
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