Quote

I initially felt shy about doing painting because I wasn't a professional painter. I almost felt like I didn't deserve to paint. But I have gradually adopted a different kind of attitude about this.

Black Francis

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Black Francis
Age: 59
Born: 1965
Born: April 6
Guitarist
Musician
Record Producer
Singer
Singer-Songwriter
Boston
Massachusetts
Charles Michael Kittridge Thompson IV
Frank Black
Didn
Painter
Different
Paint
Kind
Deserve
Like
Painting
Initially
Attitude
Adopted
Wasn
Shy
Almost
Gradually
Felt
Professional

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If I have more creativity that I want to get out of me, I try to find other ways than pursuing solo records so much.
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I think that painting is a very ancient form of expression.
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It's sour grapes, I admit, I want to be more famous so people are examining my work couplet by couplet, you know what I mean? That's the level where I want to go.
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I'm really inspired by the interplay of visual art and music, a total artistic environment where there's sound and visuals. When I think about that I get stimulated and excited. It's a feeling that you can't label with words.
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They're pretty good actually, Hall & Oates. I gotta give them credit. They got a lot of toe-tappers.
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As soon as I got into music, I tried to be a working, real artist who gets paid for what he does, who doesn't have a day job.
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For some artists the live performance is the chicken before the egg of writing or recording of repertoire. For other artists the writing or recording of repertoire is the chicken before the egg of live performance.
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I have two step-kids and one of my own on the way. That's three college funds.
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This is a particular thing, you know, catholic stories of martyrs who had their head removed and then continued to be miraculous in the last moments of their life.
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I don't want to do children's music. I write kids songs, but the kids songs I write are for my kids - like when I'm putting them to bed. We sing some song that we made up but I don't want to make a record like that.
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Bob Dylan is quite a songwriter, and a great singer and musician. I won't bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.
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But the truth is that critics are by definition critical. That's their job.
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Wise is the tongue, wet of perfect thought.
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I'm always looking to rock out. But it isn't really about rocking out versus being mellow, in terms of your personal satisfaction. In the end, you just want to be good. When you look at something that's really good, it might be Iggy Pop or it might be Leonard Cohen. Whatever it is, you want it to be really good.
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I certainly have gotten caught up in the music business at various times in my life, mostly because you want to get along with whatever record company you're dealing with. I don't want to be flaky. I don't want to be some temperamental, hard-to-work-with musician.
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You think you've made something really great, but there's a reason why it's not resonating the way some previous work did. But it's not that easy to just replicate. Some people think, Oh, just go do that thing you used to do before. But it just doesn't work like that. It's a lot more mysterious or slippery.
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I come from an art history background. I studied at a master's degree level I chose to dork out on art for much of my adult life. A lot of my heroes are artists and a lot of my musical heroes have an artistic side.
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The first thing that inspires any song is a chord progression. When I have one I really like, I get into the lyrics even more.
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I don't make records that way, where I'm trying to please the marketplace or anything. Not because I have anything against that, it's just never been a part of my aesthetic, even when I was with the Pixies.
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I drive a lot. Just for pleasure. Sometimes I'll get in the Cadillac and drive around the city or the country, kind of trying to get lost basically. Y'know, just see where roads lead.
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