the arts of Mexico are heavy with the weight of the past, of gods that demanded the sacrifice of a thousand beating hearts in a day, of a world that ended every fifty-two years, of warriors who rushed into battle wearing the heads of jaguars or clothed in the flayed skins of their human victims.

In the United States those bits of our history that remain are paved over, sanitized, packaged for easy consumption. At those sites not already lost to commercial development, we walk between velvet ropes, herded by guides, warned not to touch. Our icons are preserved under glass, their magic demystified in glossy brochures.