Quote

More often than not in poetry I find difficulty to be gratuitous and show-offy and camouflaging, experimental to a kind of insane degree - a difficulty which really ignores the possibility of having a sensible reader.

Billy Collins

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Billy Collins
Age: 83
Born: 1941
Born: March 22
Poet
University Teacher
Writer
Manhattan borough
New York City
William James Collins
Really
Possibility
Gratuitous
Reader
Ignores
Poetry
Experimental
Show
Sensible
Often
Insane
Shows
Degree
Find
Difficulty
Kind
Degrees

More quotes by Billy Collins

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I love to move like a mouse inside this puzzle for the body, balancing the wish to be lost with the need to be found.
Billy Collins
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I sit in the dark and wait for a little flame to appear at the end of my pencil.
Billy Collins
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I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
Billy Collins
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I think a good poem should have some inscrutable part. You can't quite explain it. The poem can only explain itself to a certain limit and at that point you enter into a little bit of mystery. That for me is the perfect poem: to begin in clarity and to end in mystery.
Billy Collins
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I think the pleasure of form is that you have a companion with you besides all the poetry you have ever read.
Billy Collins
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But some nights, I must tell you, I go down there after everyone has fallen asleep. I swim back and forth in the echoing blackness. I sing a love song as well as I can, lost for a while in the home of the rain.
Billy Collins
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I think clarity is the real risk in poetry because you are exposed. You're out in the open field. You're actually saying things that are comprehensible, and it's easy to criticize something you can understand.
Billy Collins
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When I wrote I took on the role of the despondent and difficult to understand person. Whereas in life, I was easy to understand, to the point of being simple-minded maybe.
Billy Collins
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I could look at you forever and never see the two of us together
Billy Collins
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The first line is the DNA of the poem the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
Billy Collins
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I always think W.S. Merwin's poems will last of anyone writing today. If I had to bet on posterity I would bet Merwin. My poems could easily evaporate. So I don't know. If you find yourself as a writer thinking about posterity you should probably go out for a brisk walk or something.
Billy Collins
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Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions.
Billy Collins
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When I'm constructing a poem, I'm trying to write one good line after another. One solid line after another. You know a lot of the lines - some hold up better as lines than others. But I'm not thinking of just writing a paragraph and then chopping it up.
Billy Collins
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There are just long gaps where I can't find a point of insertion, I can't find a good opening line, I can't find a mood that I want to write into. But once I do, once a line falls out of the air, or I get a little inkling of a subject and I recognize that, it's like the sense that a game has started.
Billy Collins
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You'll find i-poetry, you'll find that you can download poetry, that you can stuff your i-pod with recorded poetry. So just to answer the question that way, I think that poetry is gonna catch up with that technology quite soon.
Billy Collins
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The mind can be trained to relieve itself on paper.
Billy Collins
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You will always be the bread and the knife, not to mention the crystal goblet and—somehow—the wine.
Billy Collins
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This love for everyday things, part natural from the wide eye of Infancy, part a literary calculation
Billy Collins
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There's this pet phrase about writing that is bandied around particularly in workshops about finding your own voice as a poet, which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice.
Billy Collins
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Vade Mecum I want the scissors to be sharp and the table perfectly level when you cut me out of my life and paste me in that book you always carry.
Billy Collins