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I think the pleasure of form is that you have a companion with you besides all the poetry you have ever read.
Billy Collins
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Billy Collins
Age: 83
Born: 1941
Born: March 22
Poet
University Teacher
Writer
Manhattan borough
New York City
William James Collins
Read
Form
Ever
Think
Thinking
Besides
Companion
Poetry
Pleasure
More quotes by Billy Collins
And I should mention the light which falls through the big windows this time of day italicizing everything it touches.
Billy Collins
I felt at some point that I had nothing to lose, and [laughs] maybe I was wrong. I think, you know, there's always these little autobiographical secrets behind things. I think I was really attacking my earlier self, and this kind of pretentious figure.
Billy Collins
You will always be the bread and the knife, not to mention the crystal goblet and—somehow—the wine.
Billy Collins
Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions.
Billy Collins
I could look at you forever and never see the two of us together
Billy Collins
I think a good poem should have some inscrutable part. You can't quite explain it. The poem can only explain itself to a certain limit and at that point you enter into a little bit of mystery. That for me is the perfect poem: to begin in clarity and to end in mystery.
Billy Collins
But some nights, I must tell you, I go down there after everyone has fallen asleep. I swim back and forth in the echoing blackness. I sing a love song as well as I can, lost for a while in the home of the rain.
Billy Collins
Often people, when they're confronted with a poem, it's like someone who keep saying 'what is the meaning of this? What is the meaning of this?' And that dulls us to the other pleasures poetry offers.
Billy Collins
There's this pet phrase about writing that is bandied around particularly in workshops about finding your own voice as a poet, which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice.
Billy Collins
I think clarity is the real risk in poetry because you are exposed. You're out in the open field. You're actually saying things that are comprehensible, and it's easy to criticize something you can understand.
Billy Collins
I think my work has to do with a sense that we are attempting, all the time, to create a logical, rational path through the day. To the left and right there are an amazing set of distractions that we usually can't afford to follow. But the poet is willing to stop anywhere.
Billy Collins
This love for everyday things, part natural from the wide eye of Infancy, part a literary calculation
Billy Collins
I just think that the world of workshops - I've written a poem that is a parody of workshop talk, I've written a poem that is a kind of parody of a garrulous poet at a poetry reading who spends an inordinate amount of time explaining the poem before reading it, I've written a number of satirical poems about other poets.
Billy Collins
Humor, for me, is really a gate of departure. Its a way of enticing a reader into a poem so that less funny things can take place later. It really is not an end in itself, but a means to an end.
Billy Collins
There are interesting forms of difficulty, and there are unprofitable forms of difficulty. I mean, I enjoy some difficult poetry, but some of it is impenetrable and I actually wouldn't want to penetrate it if I could, perhaps.
Billy Collins
I sit in the dark and wait for a little flame to appear at the end of my pencil.
Billy Collins
I'm very conscious of the fact that every line should have a cadence to it. It should contribute to the progress of the poem. And that the ending of the line is a way of turning the reader's attention back into the interior of the poem.
Billy Collins
And strangely enoughthe only emotion I ever feel, is what the beaver must feel, as he bears each stick to his hidden construction, which creates the tranquil pond and gives the mallards somewhere to paddle, and the pair of swans a place to conceal their young
Billy Collins
I hope the poem, as it goes on, gets more complicated, a little more demanding, a little more ambiguous or speculative, so that we're drifting away from the casual beginning of the poem into something a little more serious.
Billy Collins
I see woefully obscure poetry as simply a kind of verbal rudeness.
Billy Collins
