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This love for everyday things, part natural from the wide eye of Infancy, part a literary calculation

Billy Collins

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Billy Collins
Age: 83
Born: 1941
Born: March 22
Poet
University Teacher
Writer
Manhattan borough
New York City
William James Collins
Everyday
Eye
Natural
Part
Calculation
Things
Calculations
Love
Infancy
Literary
Wide

More quotes by Billy Collins

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There's this pet phrase about writing that is bandied around particularly in workshops about finding your own voice as a poet, which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice.
Billy Collins
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I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
Billy Collins
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There are interesting forms of difficulty, and there are unprofitable forms of difficulty. I mean, I enjoy some difficult poetry, but some of it is impenetrable and I actually wouldn't want to penetrate it if I could, perhaps.
Billy Collins
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I could look at you forever and never see the two of us together
Billy Collins
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Radio is such a perfect medium for the transmission of poetry, primarily because there just is the voice, there's no visual distraction.
Billy Collins
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I love to move like a mouse inside this puzzle for the body, balancing the wish to be lost with the need to be found.
Billy Collins
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It is as if one by one, the memories you used to harbor decided to retire to the Southern Hemisphere of the brain.
Billy Collins
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I see woefully obscure poetry as simply a kind of verbal rudeness.
Billy Collins
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Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions.
Billy Collins
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You will always be the bread and the knife, not to mention the crystal goblet and—somehow—the wine.
Billy Collins
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I'm very conscious of the fact that every line should have a cadence to it. It should contribute to the progress of the poem. And that the ending of the line is a way of turning the reader's attention back into the interior of the poem.
Billy Collins
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When I wrote I took on the role of the despondent and difficult to understand person. Whereas in life, I was easy to understand, to the point of being simple-minded maybe.
Billy Collins
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But my heart is always propped up in a field on its tripod, ready for the next arrow.
Billy Collins
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The mind can be trained to relieve itself on paper.
Billy Collins
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When I'm constructing a poem, I'm trying to write one good line after another. One solid line after another. You know a lot of the lines - some hold up better as lines than others. But I'm not thinking of just writing a paragraph and then chopping it up.
Billy Collins
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I always think W.S. Merwin's poems will last of anyone writing today. If I had to bet on posterity I would bet Merwin. My poems could easily evaporate. So I don't know. If you find yourself as a writer thinking about posterity you should probably go out for a brisk walk or something.
Billy Collins
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The poem is not, as someone put it, deflective of entry. But the real question is, 'What happens to the reader once he or she gets inside the poem?' That's the real question for me, is getting the reader into the poem and then taking the reader somewhere, because I think of poetry as a kind of form of travel writing.
Billy Collins
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I hope the poem, as it goes on, gets more complicated, a little more demanding, a little more ambiguous or speculative, so that we're drifting away from the casual beginning of the poem into something a little more serious.
Billy Collins
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I think my work has to do with a sense that we are attempting, all the time, to create a logical, rational path through the day. To the left and right there are an amazing set of distractions that we usually can't afford to follow. But the poet is willing to stop anywhere.
Billy Collins
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And strangely enoughthe only emotion I ever feel, is what the beaver must feel, as he bears each stick to his hidden construction, which creates the tranquil pond and gives the mallards somewhere to paddle, and the pair of swans a place to conceal their young
Billy Collins