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But some nights, I must tell you, I go down there after everyone has fallen asleep. I swim back and forth in the echoing blackness. I sing a love song as well as I can, lost for a while in the home of the rain.
Billy Collins
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Billy Collins
Age: 83
Born: 1941
Born: March 22
Poet
University Teacher
Writer
Manhattan borough
New York City
William James Collins
Night
Fallen
Home
Forth
Back
Sing
Wells
Rain
Echoing
Well
Everyone
Blackness
Must
Song
Asleep
Love
Lost
Nights
Tell
Swim
More quotes by Billy Collins
Another trouble with poetry - and I'm gonna stop the list at two - is the presence of presumptuousness in poetry, the sense you get in a poem that the poet takes for granted an interest on the reader's part in the poet's autobiographical life, in the poet's memories, problems, difficulties and even minor perceptions.
Billy Collins
I think clarity is the real risk in poetry because you are exposed. You're out in the open field. You're actually saying things that are comprehensible, and it's easy to criticize something you can understand.
Billy Collins
There are just long gaps where I can't find a point of insertion, I can't find a good opening line, I can't find a mood that I want to write into. But once I do, once a line falls out of the air, or I get a little inkling of a subject and I recognize that, it's like the sense that a game has started.
Billy Collins
Often people, when they're confronted with a poem, it's like someone who keep saying 'what is the meaning of this? What is the meaning of this?' And that dulls us to the other pleasures poetry offers.
Billy Collins
I felt at some point that I had nothing to lose, and [laughs] maybe I was wrong. I think, you know, there's always these little autobiographical secrets behind things. I think I was really attacking my earlier self, and this kind of pretentious figure.
Billy Collins
I think more influential than Emily Dickinson or Coleridge or Wordsworth on my imagination were Warner Brothers, Merrie Melodies and Looney Tunes cartoons.
Billy Collins
You will always be the bread and the knife, not to mention the crystal goblet and—somehow—the wine.
Billy Collins
There are interesting forms of difficulty, and there are unprofitable forms of difficulty. I mean, I enjoy some difficult poetry, but some of it is impenetrable and I actually wouldn't want to penetrate it if I could, perhaps.
Billy Collins
I see woefully obscure poetry as simply a kind of verbal rudeness.
Billy Collins
When I wrote I took on the role of the despondent and difficult to understand person. Whereas in life, I was easy to understand, to the point of being simple-minded maybe.
Billy Collins
I think my work has to do with a sense that we are attempting, all the time, to create a logical, rational path through the day. To the left and right there are an amazing set of distractions that we usually can't afford to follow. But the poet is willing to stop anywhere.
Billy Collins
And I should mention the light which falls through the big windows this time of day italicizing everything it touches.
Billy Collins
It is as if one by one, the memories you used to harbor decided to retire to the Southern Hemisphere of the brain.
Billy Collins
I'm very conscious of the fact that every line should have a cadence to it. It should contribute to the progress of the poem. And that the ending of the line is a way of turning the reader's attention back into the interior of the poem.
Billy Collins
More often than not in poetry I find difficulty to be gratuitous and show-offy and camouflaging, experimental to a kind of insane degree - a difficulty which really ignores the possibility of having a sensible reader.
Billy Collins
Radio is such a perfect medium for the transmission of poetry, primarily because there just is the voice, there's no visual distraction.
Billy Collins
One of these days I'm-a make me a book out of you.
Billy Collins
I can hear the library humming in the night, a choir of authors murmuring inside their books along the unlit, alphabetical shelves, Giovanni Pontano next to Pope, Dumas next to his son, each one stitched into his own private coat, together forming a low, gigantic chord of language.
Billy Collins
The mind can be trained to relieve itself on paper.
Billy Collins
The first line is the DNA of the poem the rest of the poem is constructed out of that first line. A lot of it has to do with tone because tone is the key signature for the poem. The basis of trust for a reader used to be meter and end-rhyme.
Billy Collins